Folkways Years, 1955-1992: Songs of Love and Politics

Rate It! Avg: 4.5 (8 ratings)
Folkways Years, 1955-1992: Songs of Love and Politics album cover
Album Information
EDITOR'S PICK

Total Tracks: 21   Total Length: 72:29

Write a Review 2 Member Reviews

Please register before you review a release. Register

user avatar

Folkways Years et al.

mgillamwells

Who is Peggy Seeger? Is she related to Pete Seeger? She has a sweet, flowing voice. I love this album. It must be true that she was overshadowed by other more publicised vocalists of that period. Or was it Pete Seeger.

user avatar

lost in the shadow

yesturdaygirl

one of the best female folk singers lost in the shadow of joan baez and joni mitchell!

Recommended Albums

eMusic Features

0

Bob Dylan's Folkways Faves

By Yancey Strickler, eMusic Contributor

"I envisioned myself recording for Folkways Records. That was the label that put out all the great records." So writes Bob Dylan in his recent autobiography Chronicles, Vol. 1 (Simon & Schuster, 2004). As folk's mainstream torchbearer (and later, as hyperbolic legend has it, turncoat), Dylan was the face of folk, the smirking troubadour too smart for his own good, a man above it all or mired in the populist muck, depending on your particular… more »

They Say All Music Guide

As a title, The Folkways Years is something of a misnomer for this compilation album because it is a broader collection, in which recordings made by Peggy Seeger for Folkways Records constitute less than half of the 21 selections, along with eight previously unreleased, mostly live recordings made in the 1980s, three tracks licensed from Rounder Records, and a sample from Seeger’s upcoming new album. Taken together, the recordings constitute a musical autobiography that traces her interest in traditional folk music: her original, feminist songs such as “Lady, What Do You Do All Day?” and “Gonna Be an Engineer,” songs associated with her husband Ewan MacColl, including “First Time Ever I Saw Your Face,” which he wrote for her, and songs she wrote for each of her children. In her self-deprecating liner notes, Seeger confesses that for most of her life she has been unable to bear the sound of her recordings, which may explain why she has drawn so little from her large body of work with Folkways. Her thin voice can be an acquired taste, though her talent for songwriting overcomes the limitations of her performing ability. – William Ruhlmann

more »