NY's Finest Instrumentals

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NY's Finest Instrumentals album cover
Album Information

Total Tracks: 16   Total Length: 57:24

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Top Notch

Muse8

Top notch hip-hop instrumentals. Great funk grooves and jazzy arrangements.

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Pete Rock: M.I.A.

EMUSIC-006D05F5

As a true hip hop production fan Pete Rock has always been on my Top 3 list since day 1 (Premier and The Bomb Squad are the other two)! I am afraid someone stole his name and is using their beats or something with this effort. Not a track worth writing home about. It melds into the same NY style mish mosh of beats.. Alchemist, etc. Nothing is wrong with artist evolution either but this is way off mark in terms of quality and signature styling. Not to sound nostalgic but I "reminisce over (the old) you". DJ I-Cue Gotbeatzzz Productions

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I miss the old Pete Rock productions

GarciaStudios.com

Let me say that I am a HUGE Pete Rock fan. His work with CL SMOOTH are some of my favorite productions of all time. But this album...not the Pete Rock of old. It's good, but not the old Pete Rock horns and jazz samples I miss and used to fiend for! Bring it back Pete Rock! Like you used to! Hip Hop needs you!

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They Say All Music Guide

Pete Rock has been a dependable, though not always spectacular or surprising, force in hip-hop since his first records with C.L. Smooth came out in the early ’90s. His solo records — on which he usually acts as producer and MC — have not always been consistent affairs, but he’s been able to release a lot of solid material and establish a particular sound and feel to his kind of beat-making. On NY’s Finest, his fourth official full-length and first on the Brooklyn label Nature Sounds, he continues this trend, presenting more of the consistent, professional production and lyrics that he’s made his name on. Which means that though there are a lot of good tracks on the album, their similarity to each other and Rock’s other work seems to blend them into one another. A few do stand out, however: “914,” which features strong verses from both Styles P and Sheek Louch, is aggressive and confident while still remaining inviting and fun; “The PJ’s,” featuring Wu-Tang’s Raekwon and Masta Killa (it was actually already included on the March 2006 Nature Sounds new music compilation Natural Selection) mixes mellow production with the rappers’ hard-edged storytelling; “Comprehend” balances Papoose’s rough voice with particularly smooth and shimmery beats; and the two-and-a-half-minute “Questions” samples from Miles Davis’ famous flügelhorn line in “Concierto de Aranjuez” as MC Royal Flush spits out threats and boasts of all sorts. But the rest of the songs on NY’s Finest (which, interestingly enough, do not exclusively feature New York talent) aren’t quite able to define themselves, to distinguish themselves from what’s around them. This doesn’t mean that’s there’s anything weak here; with the exception of the out-of-place and trite dubby “Ready Fe War,” every track on the album is a well-executed, well-thought-out piece. But because Rock’s never concentrated on hooks, the tracks seem to blend into one another, which, unfortunately, tends to make the record drag on from time to time. NY’s Finest is a good, solid listen from a deservedly respected member of the hip-hop community, but it’s also nothing that will blow you away. [This edition of NY’s Finest, Rovi – Marisa Brown

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