NY's Finest

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NY's Finest album cover
Album Information

Total Tracks: 15   Total Length: 58:47

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Hua Hsu

eMusic Contributor

Hua Hsu edits the hip-hop section of URB Magazine and writes about music, culture and politics for Slate, the Village Voice, The Wire and various other magazine...more »

04.22.11
A stirring reminder of what New York City has symbolized to rappers young and old.
2008 | Label: Nature Sounds / The Orchard

It was in 1987 that a teenaged Pete Rock first began astonishing New Yorkers with a now-legendary stint as DJ for Marley Marl's In Control radio show. Pete wasn't merely skilled behind the decks; he had an impeccable ear for what made a song interesting, teasing listeners by replaying the same ten seconds of a Soul II Soul or EPMD song over and over, until it sounded like a massive event. As he and partner C.L. Smooth ascended in the early '90s, it was Pete's attention to these details that distinguished them: the way he used interludes to stitch their albums together; the unique, filtered sound of his bass lines; the sleigh bells that would ride along with the beat.

Pete's latest solo album is a surprisingly strong return to basics. There's no grand narrative here, just a steady queue of meticulously assembled tracks that yearn for the low-stakes glory of rap's adolescence. The playful “We Roll” blisters along with a chopped-up synth line, as a lackadaisical Jim Jones pumps Marvin Gaye and discusses which car corresponds to which day of the week. “914″ — the area code for Yonkers — is a rugged anthem built… read more »

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Great productions...

Muse8

...and grooves, ruined by filthy lyrics. Check the instrumentals version....

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Pete Rock Is A Legend

tdotreup

Pete Rock is known for the beats, but he's a solid rapper, too. He drops a bunch of verses on this project. I like nearly every song. The guests are great... Jim Jones does his thing, Papoose goes in, and Redman absolutely KILLS his verse-it's lyrically sound and absolutely hilarious. Pete's instrumentals are solid, fundamental hip-hop beats. They aren't too crazy, but they work really well. It's worth having for sure.

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Finest Hour

mod12

Must be heard..A monster mix

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chronique de bokson.net

bokson

A l'heure où beaucoup parlent du faible intérêt et même du déclin de la scène New-Yorkaise, on peut regretter de voir qu'un producteur de la trempe de P.R. mette encore son talent au service d'instrus soul/jazz dont il a fait le tour, et à la disposition d'artistes déjà lancés. Exception faite de Papoose, si en 2008 le «NY's Finest» se résume à Redman, Masta Killa, The LOX et consorts, c'est qu'effectivement la question de l'avenir se pose plus que jamais. Avec la sortie de ce quatrième album solo tourné vers le passé, certains pourraient bien reprocher à Pete Rock de céder à la facilité à défaut de se renouveler. Et rien ne dit qu'ils aient tort. www.bokson.net

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They Say All Music Guide

Pete Rock has been a dependable, though not always spectacular or surprising, force in hip-hop since his first records with C.L. Smooth came out in the early ’90s. His solo records — on which he usually acts as producer and MC — have not always been consistent affairs, but he’s been able to release a lot of solid material and establish a particular sound and feel to his kind of beat-making. On NY’s Finest, his fourth official full-length and first on the Brooklyn label Nature Sounds, he continues this trend, presenting more of the consistent, professional production and lyrics that he’s made his name on. Which means that though there are a lot of good tracks on the album, their similarity to each other and Rock’s other work seems to blend them into one another. A few do stand out, however: “914,” which features strong verses from both Styles P and Sheek Louch, is aggressive and confident while still remaining inviting and fun; “The PJ’s,” featuring Wu-Tang’s Raekwon and Masta Killa (it was actually already included on the March 2006 Nature Sounds new music compilation Natural Selection) mixes mellow production with the rappers’ hard-edged storytelling; “Comprehend” balances Papoose’s rough voice with particularly smooth and shimmery beats; and the two-and-a-half-minute “Questions” samples from Miles Davis’ famous flügelhorn line in “Concierto de Aranjuez” as MC Royal Flush spits out threats and boasts of all sorts. But the rest of the songs on NY’s Finest (which, interestingly enough, do not exclusively feature New York talent) aren’t quite able to define themselves, to distinguish themselves from what’s around them. This doesn’t mean that’s there’s anything weak here; with the exception of the out-of-place and trite dubby “Ready Fe War,” every track on the album is a well-executed, well-thought-out piece. But because Rock’s never concentrated on hooks, the tracks seem to blend into one another, which, unfortunately, tends to make the record drag on from time to time. NY’s Finest is a good, solid listen from a deservedly respected member of the hip-hop community, but it’s also nothing that will blow you away. – Marisa Brown

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