eMusic Review 0
It was in 1987 that a teenaged Pete Rock first began astonishing New Yorkers with a now-legendary stint as DJ for Marley Marl's In Control radio show. Pete wasn't merely skilled behind the decks; he had an impeccable ear for what made a song interesting, teasing listeners by replaying the same ten seconds of a Soul II Soul or EPMD song over and over, until it sounded like a massive event. As he and partner C.L. Smooth ascended in the early '90s, it was Pete's attention to these details that distinguished them: the way he used interludes to stitch their albums together; the unique, filtered sound of his bass lines; the sleigh bells that would ride along with the beat.
Pete's latest solo album is a surprisingly strong return to basics. There's no grand narrative here, just a steady queue of meticulously assembled tracks that yearn for the low-stakes glory of rap's adolescence. The playful “We Roll” blisters along with a chopped-up synth line, as a lackadaisical Jim Jones pumps Marvin Gaye and discusses which car corresponds to which day of the week. “914″ — the area code for Yonkers — is a rugged anthem built… read more »