Thank You St. Jude

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Thank You St. Jude album cover
Album Information
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Total Tracks: 13   Total Length: 48:07

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Peter Blackstock

eMusic Contributor

04.22.11
Peter Case With David Perales, Thank You St. Jude
2002 | Label: Prima Records Ltd. / IODA

The first-rate songwriter and former leader of '80s rockers the Plimsouls delivers highlights from his considerable solo career in an acoustic duo format with violinist Perales.

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I love this album

MrE

This is simply a great stripped-down folk album. I downloaded it when it first became available on emusic years ago and I just realized how I'm still listening to it... and it's still sounding good. Nice mix of originals from Case's repetoire and traditionals with interesting arrangements.

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My Idea ... ha ha

2perishable

I made a legal recording of the show in St Louis that featured the legendary Peter Case and Perales. I talked with Peter before the show and got his permission to tape. He also gave me his address so I could send him a CD of it. Well, about two years later Thank You St. Jude came out. It is basically a studio version of their amazing live shows. I think Peter was so taken my recording, he knew he had to make his own document for the world. Great version of Poor Old Tom and two new songs make this a must have

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They Say All Music Guide

Fans of Case’s captivating live shows have asked for this 13-song collection for years: It features rearranged acoustic versions of some of his most memorable songs, recorded in the stripped-down format in which he customarily bangs them out on the road hundreds of nights a year. Recorded in three afternoon sessions and accompanied only by a fiddle, Case reels and rocks through “Ice Water” from his self-titled debut album, a host of titles (“Put Down the Gun,” “Two Angels,” “Entella Hotel,” and others) from his watershed acoustic music record, Blue Guitar, and various covers like the wailing Sleepy John Estes song “Someday Blues” and the previously unrecorded rocker “One More Mile.” Without a doubt, Case is at the top of his form in the vocal department, with his voice reaching further than it ever did during his already-impressive younger days in the Plimsouls. This disc is an essential part of the Case catalog — a document of the state of the acoustic rock nation he had a hand in reviving in the mid-’80s and a testament to the evolution and staying power of his compositions. At the same time, new fans, particularly of acoustic folk, will find this a good introduction to the rich catalog of one of the most hardworking and consistently innovative songwriters in the hard-rockin’ folk section. – Denise Sullivan

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