Everybody knows Motown was great, but few realize what an incubator the entire City of Detroit was for soul music in its heyday. For each artist on Berry Gordy’s label there were several more just as good who went with another major, or with a smaller, local indie. Some made their names in r&b, vocal groups or gospel before evolving into soul; others started in soul but had their greatest impact in funk. But even… more »
At eMusic, we take pride in being the place you hear about artists first. Whether it's through our eMusic Selects program - which brought you the first releases by Best Coast, Crystal Stilts, Strand of Oaks and more - or our Breaking Artist features, our editorial team is always on the grind to bring you the best new artists first. Our eMerging Artists station is your chance to be first on the Next Big Thing. more »
The office folks at Righteous Babe Records put this playlist together for eMusic. It has some choice songs from the Righteous Babe catalog but also some friends, openers and influencers we either work with or just plain like to play. Hope you enjoy! more »
Whether your tastes skew toward classics by The Smiths and Wilco or current cutting edge tastemakers like Sleigh Bells and Neon Indian, you're sure to discover something you love on Indie Hits, Past & Present. more »
While the legendary voices of such jazz icons as Billie, Ella and Sarah still ring true, subsequent generations of female jazz vocalists have taken the music in new directions, especially in the '90s, ranging from Cassandra Wilson's new-standard caress to Diana Krall's classics with a twist. Taking their lead, young singers over the last decade have been swinging the vocal tradition onto a new plateau with a pop sensibility. In the mix are tunes by… more »
This mix is not for the faint of heart, so all you groovy geezers take it easy with this one, and let the Daptone crew guide you through a soulful journey of some of our favorite party starters, and late night movers.
Get ready, cause we're gonna swing folks. There's a Happening going down in Bushwick, and we here at Daptone Records would like to share it with you. You don't have to be hip, but… more »
Nirvana and Pearl Jam. This is who you'll hear about when the topic of Seattle's music scene is brought up in a historical context. It makes sense. Alternative music has always been the face of the Seattle scene. But before Kurt and Eddie, there was Ray and Quincy and Jimi. Seattle has soul, and the hip-hop community in the 206 is the living proof. They love their hometown and the music reflects that. "Townfolk Hip-Hop"… more »
Turn your subwoofer into an impact crater. The best new and classic Drum & Bass, Dubstep and Jungle with smatterings of IDM and downtempo. Leaning towards the dark end of the spectrum, the only hard rule is it must have massive amounts of low end. You will be guaranteed to drive your neighbors insane with Mortar Bass Bomb. more »
After Elvis went into the Army and before the British Invasion, the years 1958-63 were rock's forgotten years. But they were the years that shaped the musical tastes of baby boomers and of acts from the Beatles and Rolling Stones to Bruce Springsteen and the Ramones. Hear the dance sensations, the one-hit-wonders, the girl groups and doo-wop singers, surfers and rockabilly twangers, the birth of Motown, the evolution of R&B into soul and so much… more »
Although it presents works by most of the composers and artists who came to be closely associated with the label Cold Blue, this album was not a sampler, but a collection of unreleased works, an anthology of West Coast music focusing on experimentation while retaining a high degree of listenability and an ear stretched toward new age. The LP version of Cold Blue was released in 1984. In 2002 it was reissued on CD with one bonus track, David Mahler’s “La Ciudad de Nuestra Senora la Reina de Los Angeles,” placed where you would normally have to flip the record. If anything, the album shows how the label’s vision was precise without becoming confining. There is much variety, from Michael Jon Fink’s delicate “Celesta Solo” and Daniel Lentz’s composition for three speakers and wine glasses, “You Can’t See the Forest…Music,” to James Tenney’s player piano piece “Spectral CANON for CONLON Nancarrow” and Chas Smith’s pedal steel guitar-driven “Beatrix” (the last two bookend the album with sonic booms). And yet, a unified atmosphere of dreaminess and inward-looking sounds prevails. The contributions from Peter Garland, Lentz, and Tenney are the oldest, dating from the early ’70s. All the other works were written and recorded in the early ’80s. Mahler’s added solo piano piece was written back in 1985 and recorded for this, its premiere release, by Bryan Pezzone in 2001. As avant-garde music at the turn of the century seemed confined to the extremes of noise and stamina on the one hand and the post-Feldman search for disappearance of sound on the other, one feels uncertain about how to approach the loveliness of the music on Cold Blue. Recommended. – François Couture
