Inter-Be

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Inter-Be album cover
Album Information

Total Tracks: 11   Total Length: 40:35

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Laura Leebove

Production Editor

Laura Leebove is a Brooklyn-based music journalist whose writing has appeared in various publications including Billboard, Spinner.com, Venus Zine, Critical Mob...more »

05.24.10
A gorgeous brand of cavernous and refreshing folk-pop
Label: Jagjaguwar / SC Distribution

Peter Pisano and Brian Moen — the Minneapolis duo known as Peter Wolf Crier — have an affinity for hazy, jangly pop fronted by Pisano's tenor, which falls somewhere between Justin Vernon and M. Ward, equal parts smoky croon and spirited falsetto. Album opener "Crutch & Cane" clinks with tambourines and piano at the chorus, while "Demo 01" thrives from a quivering, slightly crackling guitar rhythm and fluttering piano trills. Another highlight, "For Now," is urgent, with usually only two or three words per line accompanied by swirls of female vocals laced between verses.

Inter-Be is largely about loss of strength, betrayal, and faith. "Untitled 101" is the most literal — a hymn in which Pisano earnestly croons, "Lord show me your face/ Show me once and I'll keep you all my days/ Will be tamed not conspire to treasure seek/ Once my eyes find your skin in reach." In other songs, legs are frequently used as a metaphor to measure his state of well being: In "Crutch & Cane" it's "Save my legs, take what's left," in "Down Down Down" it's "Be battered, wear proud your crown/ Don't betray your knees/ You're going down, down for good," in "Untitled 101"… read more »

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They Say All Music Guide

The duo of Peter Wolf Crier — and despite the band name, the theme of their album doesn’t seem to be pretty jokey — create an album that is at once perfectly accomplished and incredibly of its moment, an indie folk-rock ramble that almost has its audience ready for it without them knowing it exists. Consisting of the duo of Peter Pisano on guitar and vocals and Brian Moen on percussion and further arrangements, Peter Wolf Crier possess a perfect range of expected qualities — a shambling edge combined with heartfelt lyrics and singing, harmonies at once sweet and strained, and an emphasis on sonic treatments (on the drums in particular) that demonstrates the continuing impact of Dave Fridmann’s production work as much as anything else. For all that, there are moments on Inter-Be when the combination works well enough, as with the shuddering start and nervous guitar on “Hard as Nails.” “Lion” almost suggests the kind of never-never ’80s rock that groups like the Helio Sequence can create, a sheen that’s gently warm and inviting, while the drums and echoed piano break on “Untitled 101″ also deserve a nod. – Ned Raggett

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