W.A.R. (We Are Renegades) (Edited Version)

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W.A.R. (We Are Renegades) (Edited Version) album cover
Album Information

Total Tracks: 13   Total Length: 47:43

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Ben Westhoff

eMusic Contributor

Ben Westhoff is a music scribe who has written for L.A. Weekly, Village Voice, Spin, XXL, Pitchfork, NPR and so, so many more. His book Dirty South: OutKast, Li...more »

03.31.11
Politically aware without pandering or taking itself too seriously
2011 | Label: W.A.R. Media / Duck Down Music / Iris

More than Mos Def, Talib Kweli or Sadat X, Pharoahe Monch remains the most relevant of the Rawkus-era New York City rappers, the one who has best updated his sound while maintaining his lyrical sting. The Organized Konfusion veteran already has a pair of solo classics under his belt — his 1999 debut Internal Affairs and its underrated 2007 follow-up Desire — and his latest W.A.R. (We Are Renegades) is just as strong — politically aware without pandering or taking itself too seriously.

Its concept is roughly Orwell meets movie sci-fi, with a soldier from the future dispatching messages through time and space, a government suppressing free thought, and a super-elite underground force staging an uprising. It doesn't make much sense, but serves as an effective platform to give Monch and an indie A-list cast including Jean Grae, Royce Da 5'9" and Immortal Technique an opportunity to rap their asses off. "This is a war against consciousness/ Controlling your soul, sort of a psychological dictatorship/ And we are on the front lines/ Guilty as charged if intellect is a crime," Monch spits on the title track, one of a half-dozen or so on the… read more »

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A breath of fresh air!!

MrRizzaw

This album is straight madness!! I mean, Pharoahe put together a dynamic album. His style is amazingly updated and definitely stands as unmatchable competition for todays climate. He proves that a true artist is capable of keeping up with the times WITHOUT losing integrity. On tracks like "evolve", Pharoahe draws you into his soul, giving you the feeling that he's sitting right beside you as he gets some things off his chest. He reveals some personal details with lines like :"excuse me if i come off a little weezy/ not Wayne, motherfuckers, i got asthma/ its not easy". "Let My People Go" manages to be a hard core banger while still delivering a politcal message. It also give a llittle comic relief with Pharoahe's tongue rolling when pronouncing "r" sounds. Every track on W.A.R. is pure dope. Explicit or not, this is truly a five star album.

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true story

brotherjacob

Silvos speaks the truth. Don't let the mislabel steer you away (as it did me for months). Amazing record, this.

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e-music has this mislabeled

Silvos

This is the explicit version, and you should download.

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WHY?

JaseMonsta

Why isn't the unedited version available here??

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Wow.

chriscrey

I am hopeful for a real hip hop rebellion. 5 stars.

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HIP-HOP LIVES!!!!

BORNZO

Absolutely incredible lyrics & the tracks are as deep & fluid. About time somebody actually speaks about what's going on in the world...it's what Hip-Hop was originally all about. As the music became global too many cats just became paper-chasers, no more MCs or lyricists. A few cats spit but Monch's lyrics are the liquid, the source.

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They Say All Music Guide

With the 2011 release of his third album, W.A.R. (We Are Renegades), rapper Pharoahe Monch halved the eight-year wait fans endured between his first and second efforts. This strong, satisfying, often stunning third release proves he can deliver the goods under this tighter release schedule, and when listening to lyrics that are topical for 2011 (“Calculated Amalgamation” is inspired by the recent Egyptian revolution), one begins to wonder if it’s been three years off for Monch, and then one very strong year back on. Whatever the process, W.A.R. is worth it, chock-full of those wickedly smart Monch lines (“Even my reflection disrespects you like a freshman during hazing”) and Armageddon productions from the likes of M-Phazes, Diamond D, and Samiyam. These beats seem generally as mad and driven as the man himself, although “The Grand Illusion” with Citizen Cope adds some alternative rock to the mix while the closer, ”Still Standing,” is as elegant and soulful as its guest, Jill Scott. The socially concerned singles “Shine” and “Clap (One Day)” make for a decent intro, even if they are best heard in context, as this conceptually sound album uses linking dialog and a sensible running order to guide listeners through Monch’s war story. – David Jeffries

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