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Total Tracks: 16 Total Length: 73:52
Wanted to get song above but hit the wrong button. Hit cancel now lost both song and was charged.
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
One night a few years ago I was zipping through the traffic maze of Los Angeles, on my way to meet the producer Nobody on the occasion of his just-released debut album, Soulmates. He had given me very vague directions, and so the signal strength of KXLU, where he was doing his weekly radio show, helped guide my path. As the static cleared, I grew more confused: what was he playing? Rather than the Project… more »
If Hits seems a little inadequate, even though it weighs in at 16 tracks, that’s because Phil Collins had such a long, productive run. Also, to casual listeners (and possibly even some fans), it’s hard to tell which singles are by Genesis and which ones are solo cuts. So, it’s almost a certainty that listeners will find something missing from this disc — and not just because Genesis cuts are absent, but because there’s not enough space to fit all of Collins’ solo hits, especially since the compilers decided to include a couple of lesser, latter-day hits at the expense of some earlier, bigger ones, while adding his non-LP cover of Cyndi Lauper’s “True Colors” to entice hardcore fans. Thus, there are only 13 hits, which means some other big hits and good songs are absent — “I Missed Again,” “I Don’t Care Anymore,” “Don’t Lose My Number,” “Do You Remember?” are all MIA. A few of these omissions are quite regrettable, but in the end, Hits is nevertheless a representative and pretty entertaining collection. The sequencing is not chronological, so it doesn’t develop a nice flow (although “Take Me Home” is admittedly the ideal closer), but the chief strength of this collection is that it puts all of the big hits – including “Easy Lover,” “Against All Odds,” “In the Air Tonight,” “Sussudio,” “One More Night” and “Separate Lives” — in one place. No, it’s not perfect — and it’s hard not to wish that it was — but Hits still contains the majority of Collins’ solo smashes, and that alone makes it a nice addition to his catalog. – Stephen Thomas Erlewine
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