The Greatest Of Pleasure

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Total Tracks: 14   Total Length: 76:26

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Michelangelo Matos

eMusic Contributor

10.14.09
Pleasure, The Greatest Of Pleasure
2006 | Label: Fantasy Records

The Pacific Northwest isn't generally thought of as a haven for R&B, but it had a small but sturdy scene during the '60s and '70s: A Seattle funk band called Cold, Bold & Together even featured a teenaged saxophonist who'd go on to later success as Kenny G. (Yes, that one.)

Most famous of all were Pleasure, a Portland, Oregon, septet who evoked a jazzier P-Funk that hit the R&B Top 10 in 1979 with "Glide." Just as important for sample-spotters are 1976's "Let's Dance" and '77's "Joyous." The former was later pilfered for West Street Mob's "Let's Dance (Make Your Body Move)" and DJ Quik's "Niggaz Still Trippin'," while the latter's instantly recognizable sax motif was made over for Janet Jackson's "FreeXone" and L.L. Cool J's "To Da Break of Dawn," among others.

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A Must have

monkeeman

For all those who are even remotely interested in funk, get this absolutely! Pleasure delivers great - at times experimental - groove. The musicians are awesome (check Nathaniel Phillips on the awesome bass!!!) Future Now is among my favorites, but everything (except the remixes) are worth checking.

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They Say All Music Guide

In the 1980s and 1990s, Pleasure’s die-hard fans were hoping that Fantasy would reissue its entire catalog on CD. Regrettably, that didn’t happen, although Fantasy did assemble this generally excellent collection in 1993. The Greatest of Pleasure, as the title indicates, boasts some of the Oregon funksters’ most essential work. Naturally, this CD contains “Glide,”which was Pleasure’s biggest hit — not only is the original hit version from 1979 included, but Fantasy also provides a remix and an interesting, if less than essential, hip-hop remake featuring rapper Psycho (who was a member of the shocking, over-the-top gangsta rap group Insane Poetry). The tracks that are essential range from the hit single version of “Glide” to other jazz-influenced 1970s funk smokers such as “Dance to the Music,” “The Real Thing,” “Joyous,” and “Let’s Dance” (which wasn’t a major hit for Pleasure but became better known when the West Street Mob recorded a cover version for Sugar Hill in 1981). Not that everything on this collection is uptempo; the dreamy “Sassafras Girl” is a fine example of Pleasure’s mellow quiet storm side. For those who are seeking an introductory overview of Pleasure’s exciting but underexposed Fantasy output, The Greatest of Pleasure would be the logical starting point. – Alex Henderson

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