eMusic Review 0
These young inheritors of the Dischord ethos turned more soulful on their third and (it turned out) final album. Strutting bass lines, churning guitar and falsetto vocals characterize songs like "Wonderful People," but the trio demonstrates its post-punk smarts with shifting tempos and unexpected transitions. While the music is upbeat, the underlying mood is more ominous: "Wet Work," a celebration of quotidian beauty, acknowledges that "something beautiful gets shot down every day." This is another D.C. group that learned a few things from Wire, and "Tag-Tag" expands dramatically on that band's clipped minimalism, without losing any of its propulsion.