Random Axe

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Total Tracks: 15   Total Length: 41:37

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Ilya Zinger

eMusic Contributor

06.29.11
Three indie-rap stalwards with rough-and-tumble chemistry
2011 | Label: Duck Down Records / Iris

In 2011, hip-hop is holding strong as a two-decade-old corporate media conglomerate where its best acts, if the press is to be believed, often correlate with its biggest labels: Def Jam, Roc-A-Fella, Shady and Young Money among them. Random Axe, however, consists of three indie stalwarts, rapper Guilty Simpson and producer/rapper Black Milk — both of Detroit pedigree — and Sean Price, the Boot Camp Clik veteran from Brownsville, New York. The three men first collaborated on “Run” from Guilty’s Stones Throw debut, Ode to the Ghetto, a track produced by Black Milk. The rough-and-tumble chemistry was enough to warrant a full album (Guilty’s verse on “Run” offered the gem, “Random Axe in a jam with macks,” and that name stuck.)

Random Axe‘s originality relies on Black Milk’s signature production style. Foregoing any clear dependence on his influences (Black Milk came up under Dilla), his rhythms here are built from off-kilter drums that double up and step on their own toes, occasionally resembling a drum line. On “Everybody Nobody Somebody,” the beat is stiff and sparse, with Sean P’s hurried verse and Guilty’s relaxed drawl appropriately volatile. Lyrically, the album favors crime-heavy narratives with a particularly… read more »

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They Say All Music Guide

A group featuring the lords of the hip-hop underground, Random Axe combine the talents of Detroiters Black Milk and Guilty Simpson plus New York City artist Sean Price. For the ringtone rappers and the club dons of 2011 that must sound like the ultimate terror squad, but this self-titled debut isn’t so ambitious. Even with all the bravado, declarations of war, and muscle-flexing rhymes, Random Axe are in-house and, in many ways, insider with cult figures like Fat Ray and Trick Trick handling the guest shots while producer Black Milk provides the deep soul hooks and the crooked beats. Still, if this more “our little secret” than a “game changer,” then the underground hip-hop fan base still wins, as literate but loose rhymes, free spirits, and dope beats all add up to a highly desirable underground party. Check out “Random Call,” an independent artist anthem with attitude (“I’m chemically imbalanced, you’re not talent/I eat hot MCs like cold salad, I’m so valid”), or check the minimal winner “Understand This,” where Guilty Simpson sounds his most obscure and most OJ Simpson — the album he cut with Madlib — while Black Milk sounds the most Album of the Year with all those clean, acoustic, and warm samples. Random Axe the album barely crosses the 40-minute mark and it doesn’t bother pleasing the crowd, but it rewards its core audience with a freestyle feel and an uncompromising allegiance to true hip-hop. – David Jeffries

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