Ray Lynch’s synthesizer playing sometimes approximates keyboard instruments and sometimes sounds like individually plucked strings on electrified string instruments, but always has a deeply textured melodic structure and a buoyant rhythmic underpinning. Isolated notes in series and patterns make a pointillistic mosaic of sound that alternately soothes and stimulates. No wonder this is one of the best-selling new-age albums of all time. – William Ruhlmann