By dropping words like pop and crossover while promoting an album on which he dares to use Auto-Tune, Redman gave his fans a heads-up that Reggie isnt your everyday effort. Based on his real name, Reginald Noble, Reggie is actually an extroverted and exuberant alter ego for Redman, the kind of guy who does production for Shaq if you check your copy of Shaq-Fu: Da Return. No surprise, then, that Reggie the album is heavy on the special guests with everyone from Bun B to Kool Moe Dee landing on the track list, while Redman acts as ringleader and/or hypeman. Folks who want it strictly hardcore wont be satisfied till the high-kicking Tiger Style Crane closes the show, but since the miraculous Red can go from hood cool (Lookin at my rolly…) to nerd cool (…I got time like Culture Club) in just one punch line, he deserves a swing at the Ghostdini-style album. Big hooks drive infectious choruses on club bombs like Thats Where I Be (You pissed baby?/Dont get peed on/Cuz man/I run things like cream corn), “Def Jammable” (Dont gas me/I live near Amoco), and “Full Nelson” (I do it Big like March 9th in Brooklyn), while All I Do with Faith Evans is the first track in Reds discography that could be tagged breezy, paying tribute to the power of hip-hop and Michael Jackson over a lush backbeat. The Auto-Tune device is used but not abused and even the dressed-up numbers dont come off as soft, as Red is always willing to drop a line that packs an improper punch. Uptight types who want him to save hip-hop will hate on this one, but this aint nuthin but a party yall, and a fun one at that. – David Jeffries
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