Richard Carpenter: Pianist, Arranger, Composer, Conductor

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Richard Carpenter: Pianist, Arranger, Composer, Conductor album cover
Album Information

Total Tracks: 14   Total Length: 52:10

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Not for everybody

kcfan2001

There's a reason why we haven't heard much of Richard Carpenter since the great loss and tragedy of Karen Carpenter's untimely death 28 years ago. This album will put most people to sleep. This album is a bit dainty, and has really no punch to it like the powerful Carpenters albums of the 1970s. Instrumentals are great but Carpenter tries to tie his with a little ribbon and expect us to enjoy them. They don't. The Carpenters were popular in their heydey for the simple fact that they used their own overdubbed, background vocals. Here Richard is using sleepy, dreary chorus vocals that just don't cut it. Even if you really like the Carpenters it takes a lot of like to like this offering.

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They Say All Music Guide

Richard Carpenter largely remained silent in the years following his sister Karen’s death, releasing only one album in nearly 15 years. Ten years after the release of his solo debut, he returned with his second, the insturmental Pianist-Arranger-Composer-Conductor. The convoluted title may suggest that Carpenter is intent on restoring his reputation as a pianist, arranger, composer and conductor, and that suspicion would be correct. Selecting a variety of the Carpenters’ best-loved songs (“Yesterday Once More,” “Bless the Beasts and Children,” “Top of the World,” “We’ve Only Just Begun”) and adding new material, including his tribute to his sister, “Karen’s Theme,” Carpenter has created a lush, symphonic record that flirts with straight-up easy listening. Of course, the Carpenters were never far removed from easy listening, but removing the vocals and the mild rock flourishes only confirms how sweet and gentle their music was. It also, as he intended, showcases his skills at arranging and, on occasion, composing, but anyone who listened to the original Carpenters records would know that already. In the end, the album is pleasant and enjoyable, but oddly inconsequential — as it’s playing, it sounds quite good, but it leaves no lasting impression other than the desire to listen to the duo’s original records. – Stephen Thomas Erlewine

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