The King Of The Delta Blues!!
What can I say,"Download it!"
Total Tracks: 17 Total Length: 43:23
Let me tell you about Let Me Tell You About the Blues, a series of three-disc packages (several of which are available on eMusic) that attempts to trace the evolution of the music by focusing on geographic areas. Results are mixed, as they almost always are on compilations, in this case due largely to the fact that anything recorded in a specific city or region is defined as belonging to that area. To cite one… more »
It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
You can't say Revenant Records doesn't do right by its artists. Consider Exhibit A, the label's spectacular Grammy-winning box set, Screamin 'and Hollerin 'the Blues - The Worlds Of Charley Patton. There's a copy sitting on the corner of my desk right now - taking up more space than the Compact Oxford English Dictionary, I might add. The box's binder, the kind that used to hold the 78 rpm records that made up an "album,"… more »
The biggest debate in blues circles these days is, "where did the blues begin?" Ever since the blues revival of the 50s and 60s, the answer has been "the Mississippi Delta." But in recent years, more than a few blues buffs have argued, that while the Delta is where the harshest form of blues indeed gelled, there is very little evidence to suggest that blues started there. Further, Delta blues in its heyday was almost… more »
King of the Delta Blues Singers,is a wonderful follow-up to the first compilation of Robert Johnson’s small library of recorded work. This album boasts the first album appearance of “Love in Vain,” as well as a number of other blues classics penned by the artist. “Sweet Home Chicago,” “I Believe I’ll Dust My Broom,” “They’re Red Hot,” and “Malted Milk” are all present (and all covered by a multitude of artists — the Blues Brothers, Elmore James, the Red Hot Chili Peppers, and Eric Clapton, respectively). As is generally the practice with Robert Johnson albums, a painting stands in for the cover (there are only two known photographs of the artist in the first place, and every other album released uses one of them). The music is certainly impeccable — the self-accompanying bassline boogie was one of Johnson’s greatest contributions to the blues, and it’s displayed in all its beauty here. To top this, there’s the beauty of his melodic work, and the interplay with his semi-gruff voice that help to make his songs memorable. He is the true legend of the blues, and anyone with even the slightest curiosity in that genre, or rock, needs to own both this album and its predecessor, or else the box set released in 1990 that covers both of them. [The disc was reissued in 2004 with one bonus track: a second take of "Ramblin' on My Mind."] – Adam Greenberg
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