Copyright: Originally released 1960, 1961, 1962, 1964 Monument Records, (P) 1999 Sony Music Entertainment Inc. WARNING: All rights reserved. Unauthorized duplication is a violation of applicable laws.
the original, the real deal, recordings remain that unsurpassed....no wonder everyone wanted to play and record with Roy Orbison You can't say enough about these original recodings. The sound quality is superb making it a great addition to any collection
Whether you're happily married or told Cupid to shove it a long time ago, we can all agree on one thing: to quote the one-and-only Nazareth, "Love hurts/ Love scars/ Love wounds/ And mars." Or something.
That's why we went ahead and compiled a list of 36 Songs To Soothe the Pain, from the bloodletting confessionals of Neko Case, Bright Eyes and Sunny Day Real Estate to the melancholic melodies of Sigur Rós, the Shangri-Las… more »
After Elvis went into the Army and before the British Invasion, the years 1958-63 were rock's forgotten years. But they were the years that shaped the musical tastes of baby boomers and of acts from the Beatles and Rolling Stones to Bruce Springsteen and the Ramones. Hear the dance sensations, the one-hit-wonders, the girl groups and doo-wop singers, surfers and rockabilly twangers, the birth of Motown, the evolution of R&B into soul and so much… more »
"Mercy," growls Roy Orbison as the snare drum pounds cadence and a figured guitar spins the curvatures of "Oh, Pretty Woman." We know the feeling: walkin 'down the street, confronted with a vision of loveliness that reveals all possibilities in that fabled at-first-sight, if only she'd look our way, and we hers. In the instant eyes meet, Roy Orbison sings. What do I see? He knows the song is as much about the toll exacted,… more »
Of all rock's family tendrils, rockabilly is the one that keeps re-boppin', sporting a revival every decade or so, its coming-of-age kicks allowing each new offspring to roll its own. Guitar-heavy, emphasizing Wild Ones rebellion ("whaddya got?") and sonic dazzle (heavy on the reverb and chest vibrato), it raves and paves garage-punk (The Seeds to Damned), shockabilly (The Cramps and Chadbourne), new-wave (Stray Cats and Dire Straits), waggle-wobble (Jon Spencer and Boss Hog), Nirvana and… more »
Roy Orbison scored 20 consecutive Top 40 hits between 1960 and 1965, all but the last of them on the Monument Records label. This compilation presents 16 of the first 17 of those hits (missing is the 1963 Christmas song “Pretty Paper”), from the 1960 gold-seller “Only the Lonely” to the 1964 chart-topper “Oh, Pretty Woman,” with Orbison’s seven other Top Ten hits of the era in between. Technically, a few of Orbison’s singles of 1965 and 1966 did a little better in the charts than a few of the ones here, and, of course, he scored a final, posthumous Top Ten hit with “You Got It” on Virgin Records in 1989. But this collection presents the music from the hottest part of his career in chronological order, with standards like “Crying” sharing space with lesser, but still worthy songs like “I’m Hurtin’.” Aficionados know Orbison’s Sun works, and his later recordings earned him a new audience, but the Monument hit singles of the early ’60s are what he is best remembered for, and they’re all here. – William Ruhlmann