eMusic Review 0
The exquisite Martinis and Bikinis brought former Christian pop star Sam Phillips as close as she would come to stardom, earning her a 1994 Grammy nomination for Best Female Rock performance for the luminous "Baby I Can't Please You." Then-husband T Bone Burnett crafted a template redolent of mid-to-late era Beatles, spare rockabilly and, with Van Dyke Parks scoring the strings, chamber pop. Burnett's wide-ranging production perfectly complements Phillips's classic, lyrically-rich songcraft, always making sure to showcase her burnished alto, whether as a grainy, plaintive plea buttressed by dense harmonies on "I Need Love," an emotive croon on the harpsichord-driven opener "Love and Kisses," or an echo-laden howl on the Tom Waits-in-a-wind-tunnel cover of John Lennon's "Gimme Some Truth."
To assist, Burnett cast a dream team of tasteful melodic rock sidemen, including XTC's Colin Moulding on bass, R.E.M.'s Peter Buck on jangly electric, and Tom Petty and the Heartbreakers' Benmont Tench on keyboards. The melodies and arrangements on Martinis and Bikinis are so intoxicating, in fact, it's easy to lose track of Phillips's lyrical gifts. Not many writers would risk the unhip boldness of singing "I need God, not the political church" ("I Need Love"), and… read more »