The Accents

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The Accents album cover
Album Information

Total Tracks: 19   Total Length: 56:58

eMusic Review 0

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Charles Farrell

eMusic Contributor

Since returning to active playing in 2005 after a career as a boxing manager, pianist Charles Farrell has released eleven CDs, played with Ornette Coleman, and ...more »

04.22.11
Horrifyingly fantastic lounge band desperately tries to capture the pre-Beatles teen market.
2007 | Label: Globe Records / IODA

Every once in a while, eMusic offers an album so weird that it almost begs you to download it. The Accents by the largely unknown Sandi & the Accents is such an album.

Trashy, poorly recorded and frantic, The Accents sounds like a lounge band's desperate stab at capturing the pre-Beatles teen market. It's hilarious and absolutely terrific. Listen as the band plunges headlong into not one, but two tunes generally associated with James Brown (“Night Train” and “Good, Good Lovin'”), and in their very failure to outwork “the Hardest Working Man in Show Business,” they somehow pull off both performances. By contrast, the band essays soul ballads like “For Your Love” with an unctuousness that conjures up images of Brylcreem, a furtive drag off a menthol cigarette and a failed attempt at reaching second base. It's horrifyingly fantastic.

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What a Treat

Anselm

It's about time that somebody tried to recapture the sound of American pop music before the onslaught of the British Invasion, surfing and car songs and psychedelia. This is good, innocent fun that takes me back to days of acne, sock hops and hormones. Try "Don't Make Me Over".

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Motivational

richwire

This album, from what I have heard so far is a pretty acceptable compilation of a 62-66 band fromted by a lady with a great voice. Sandi reminds me of the Ronettes. The male vocals on some songs are pretty good too. They have a web site, just google for the band name. Charles Ferrell captures the essence of the album in his review. At least check out the live recordings of Keep Your Hands Off My Baby and Night Train.

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