Life Is Not A Waiting Room

Rate It! Avg: 4.0 (63 ratings)
Life Is Not A Waiting Room album cover
Album Information

Total Tracks: 12   Total Length: 44:06

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Not Bad

EMUSIC-01CBBD68

It's not the worst thing i've ever heard in fact i found myself getting lost in the music at times, but that's not always a good thing(to daydream while listening). It just didn't stick with me the way their earlier music did.

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WTF

StarHiker

your alllllllll STUPID!!! you try doing what they do!!!

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Mediocre at Best

Facebag

First of all, the vocalist in this band tries way too hard: a factor that would detract from my opinion of the album to begin with. Mostly the only really catchy part about the album at all are some of the guitar riffs

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utter crap

alexashton

I don't know this band's background, but due to the sheer unoriginality and total lack of any soul or passion on this album (and the blatant attempts at trying to make that up), all I can picture are four or five over-privelidged suburban brats crying about spilt milk on instraments all purchased by mommy and daddy. It's that bad.

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i can't tell

ernie-c

all these bands apart.

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They Say All Music Guide

Senses Fail continue to explore the three-way intersection between post-hardcore, screamo, and punk-pop with their third LP. Musically and lyrically, Life Is Not a Waiting Room furthers the dichotomies that helped fuel the band’s previous work: heaven and hell, muscle and melody, depression and emotional uplift. There’s also a good deal of harmony here, from the dual guitar solos of Garrett Zablocki and Heath Saraceno to the band’s use of vocal harmonies. While Senses Fail have always resisted the urge to tone down their hardcore tendencies in favor of a more commercial approach, Life Is Not a Waiting Room still features some surprisingly melodic moments, from “Yellow Angels” — a ballad that concludes with fist-pumping gang vocals — to the anthemic “Garden State.” The band draws parallels to Further Seems Forever during such moments, where they flaunt their pop-inflected songwriting skills without losing the might that fuels the group’s harder songs. Longtime listeners can rest assured that those harder songs haven’t been left behind, as tracks like “Lungs Like Gallows” and “Wolves at the Door” find room for rusty-throated screams and double kickdrum thunder. Nonetheless, the band shows the bulk of its growth when melody is emphasized. – Andrew Leahey

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