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Ave Maria: Gregorian Chant

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Ave Maria: Gregorian Chant album cover
01
Alma redemptoris mater [Sarum plainchant, England, 10th century]
1:57
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02
Alma redemptoris mater
4:21
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03
Inviolata, integra et casta es [Ambrosian plainchant, 9th century]
1:59
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04
Inviolata, integra et casta es a 5
4:57
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05
Salve Mater misericordiae [Gregorian plainchant, 13th century]
3:56
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06
Quam pulchra es
1:52
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07
Ave maris stella [Iberian plainchant]
2:34
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08
Ave regina celorum, ave
1:42
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09
Salve Regina [French Dominican plainchant, ca. 1335]
2:47
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10
Salve Regina a 8
8:41
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11
Ave Regina caelorum [Ambrosian plainchant]
1:32
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12
Ave Regina coelorum
2:44
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13
Ave Virgo sanctissima [Iberian plainchant, 16th century]
0:58
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14
Ave Maria [Gregorian plainchant]
1:14
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15
Ave Maria … virgo serena
5:32
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16
Ave mundi spes Maria
3:46
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17
Regina coeli laetare [French plainchant, 16th century]
1:34
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18
Regina coeli
3:22
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Album Information

Total Tracks: 18   Total Length: 55:28

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eMusic Review 0

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Steve Holtje

eMusic Contributor

Steve Holtje is a Brooklyn-based poet and composer. His most recent completed project is a setting of five selections from James Joyce's Pomes Penyeach for sing...more »

09.03.13
Comparing styles from many countries and centuries in a thematically unified repertoire
Label: Seraphic Fire Media

The Florida-based vocal ensemble Seraphic Fire has long been noted for its programming, and Ave Marial is its greatest achievement yet. The Ave Maria title accurately reflects the album’s devotion to music about the Virgin Mary, but the Gregorian Chant subtitle requires further elucidation: Of the 18 tracks here, eight are not chant (seven polyphonic works, one chordal piece) and at least three of the chants (two Ambrosian, one Iberian) are definitely outside the slippery category of “Gregorian.” Even within that category, we get a broadly defined array.

This is a good thing: Listeners get to compare styles from four countries across at least eight centuries in a thematically unified repertoire. Director Patrick Dupré Quigley adds further variety by switching up men’s or women’s voices in the chant, and by usually alternating chant and polyphony. Despite the variety, the program coheres quite well to 21st-century ears. The centerpiece of the program, of course, is des Prez’s Ave Maria, with its appropriately serene yet majestic beauty. Seraphic Fire’s smoothly blended sound is apt for this music, making it pleasurable even for non-aficionados.

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