Tunes

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Tunes album cover
Album Information

Total Tracks: 12   Total Length: 44:45

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Great Recording

docgatorb

Go ahead and download the whole album, it's great listening. One of the best recordings of Irish music that I have heard. This is what it sounds like when a group a great musicians get together and just play for the fun of it. No overproduction here, they could be in your living room or back porch playing away.

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Best Irish album I've heard yet!

Halfdan

A few weeks ago I was touring Ireland with a Celtic band, and happened to walk past a record store where I heard this CD playing. The music was so catchy that I asked the store to play it through several times, and bought the CD immediately. As I walked back to my hotel, I couldn't get the tunes out of my head and couldn't wait to listen to the CD. Three other people on our tour heard the CD and immediately bought copies as well. No wonder - the group is made up of well-known musicians Frankie Gavin, Jim Murray, Michael McGoldrick on flutes and whistles, and led by Sharon Shannon who is well-known in Irish circles for her accordian and fiddle work. The music comes from a traditional background, but has a very commercial feel, and the blend is tight and consistent from the first cut to the last. The third track, "Jewel of the Ocean" is my absolute favorite, and is the happiest tune I have ever heard - great driving music! If you really want some cathy "tunes", then "Tunes" is for you!

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They Say All Music Guide

With an album by four performers named Shannon, Gavin, McGoldrick, and Murray, it shouldn’t be terribly surprising that Tunes leans toward Celtic music. What is surprising is that each of these performers would be quite capable on his or her own, but as a quartet, together they offer an enticing blend of traditional music. For all of the talent, however, Tunes is a tastefully low-key affair, with the artists, if you will, allowing the jigs and reels to take center stage. The arrangements — accordion, fiddles, flutes, and guitars — are quietly integrated, and the individual instrumentals — both new and old — weave together as if of one piece. Most of the pieces, like “Billy in the Low Ground,” are connected to others (in this case, “Lost Girl”), allowing the material to shift and grow as it progresses, and most run between three and four minutes, not unlike the music one might hear at a country dance. In the end, the album’s title perfectly captures the simplicity of this project as well as its success. With great talent and no pretense, Shannon, Gavin, McGoldrick, and Murray have created the kind of music that Celtic folk used to make on their back porches. – Ronnie D. Lankford, Jr.

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