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Unpatterns

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Unpatterns album cover
01
I Waited For You
4:31 $0.99
02
Cerulean
6:48 $0.99
03
Seraphim
3:50 $0.99
04
A Species Out Of Control
5:18 $0.99
05
Interference
6:39 $0.99
06
Put Your Hands Together
7:20 $0.99
07
The Dream Of The Fisherman's Wife
5:00 $0.99
08
Your Love Ain't Fair
5:11 $0.99
09
Pareidolia
6:54 $0.99
Album Information

Total Tracks: 9   Total Length: 51:31

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eMusic Review 0

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Lee Smith

eMusic Contributor

05.29.12
Simian Mobile Disco, Unpatterns
2012 | Label: Wichita Recordings Ltd. / Redeye

Arriving at the tail end of the ’90s British dance boom, Simian Mobile Disco could have easily faded into obscurity along with many of their contemporaries. Over a pair of albums and a string of remixes, however, the duo have deftly paired brightly rendered big room beats with quirkier alternative flourishes, distilling club music’s myriad trends into more broadly accessible forms in the process. While their last long player, Temporary Pleasure, witnessed a host of collaborations and a move towards electronic pop territory, Unpatterns is much more of a straight ahead techno-house groove, delivered in assured and un-showy fashion.

In line with current trends in underground dance music, tracks like “Seraphim” and “I Waited for You” make clear their debt to classic house motifs, layering old school vocal samples amid fizzing contemporary production. Elsewhere, the focus is less retro, with the elegant synth arcs of “Cerulean” and the sinister alien funk of “A Species Out of Control” fizzing off into the future. Either way, Unpatterns is wholeheartedly a dancefloor album, seemingly purpose built for dark rooms, big lasers, and the pleasures of an endless four-four kick drum. It’s a laudable aim, and one they’ve resoundingly achieved.

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If you're making a list of side projects that have gone on to become more successful than their original lineups, save room at the top for Simian Mobile Disco. The duo's James Ford and Jas Shaw used to play in the British indie quartet Simian, appending the droll "Mobile Disco" as a differentiator for their singles, mixtapes and DJ appearances; after the band's demise, in 2006, Ford and Shaw turned their attentions wholeheartedly to electronic… more »

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