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Simon And Garfunkel's Greatest Hits

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Simon And Garfunkel's Greatest Hits album cover
01
Mrs. Robinson
3:51
$0.79
$1.29
02
For Emily, Whenever I May Find Her
2:25
$0.69
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03
The Boxer
5:07
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04
The 59th Street Bridge Song (Feelin' Groovy)
Artist: Art Garfunkel
1:43
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05
The Sounds of Silence
3:02
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$1.29
06
I Am a Rock
2:50
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07
Scarborough Fair / Canticle
3:08
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08
Homeward Bound
2:42
$0.79
$1.29
09
Bridge over Troubled Water
4:52
$0.79
$1.29
10
America
3:34
$0.79
$1.29
11
Kathy's Song
3:21
$0.79
$1.29
12
El Condor Pasa (If I Could)
3:06
$0.69
$0.99
13
Bookends
1:16
$0.69
$0.99
14
Cecilia
2:55
$0.79
$1.29
Album Information

Total Tracks: 14   Total Length: 43:52

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Simon & Garfunker

rcmodelr

I NEVER heard any performers who entertained me like they did... Since they split up, I haven't found any "groups" as entertaining or worth listening to... Closest alternatives I've found have been the Statler Brothers, ALABAMA, The Geezinslaws, or The Beach Boys... Since they split up, neither Paul Simon nor Art Garfunkel have come up with nearly as enjoyable melodies... Simon & Garfunkel could probably survive as performers if they'd just get back to performing and producing music TOGETHER!!!

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We're so so lucky

fontmaven

to have been around when these two were making music. That gorgeous Garfunkel tenor. That damn fine Simon guitar playing. Those ethereal harmonies. And some of the best songwriting of all and any time. Thank whatever you pray to for this duo.

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love S & G

allizwindy

I love Simon and Garfunkel and just got to see them live at the New Orleans Jazz and Heritage Festival together again so wonderful , even if Art was having a sore throat day they sounded awesome !!!!

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Simon & Garfunkle's Greatest Hits

EMUSIC-023123BF

You guys have made my choices of music very difficult since being invited to this site. There is so much great music to pick from. I have been and still am a huge fan of Simon & Garfunkel, and you posted one of their best. Thanks guys for your good taste in music.

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One of my first albums

DanceFanatic

Still one of my favorites. I love the harmony of their voices.

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S&G Greatest Hits

bob_amy2000

I don't think there has ever been a pair of singers that have blended their talents as well as S&G have. Pure magic.

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A must have!

whalle

This is the one that epitomizes what Simon and Garfunkel are for me. "Cecilia" "Homeward Bound", it is all good. You won't regret downloading this one.

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Great collection!

DavidB

Good to see other S&G albums here on EMusic.

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"The Best"

EMUSIC-02031734

The 14 tracks on this album represent some of the best of S&G.....from the hard beat of Cecilia to the melodic Kathy's Song......a treat to listen to.

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Classic

DanielStone

Simon and Garfunkel captured the hearts and thoughts of a nation with a timeless style and ageless sound. This is a great album to start with if you have not yet beheld the beauty of S and G.

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eMusic Features

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It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

Six Degrees of Panda Bear’s Person Pitch

By Yancey Strickler, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

This album has had over three decades to make an impact, and it says something for its staying power that, in the face of more recent, more generously programmed, and better mastered compilations of the duo’s work, it remains one of the most popular parts of the Simon & Garfunkel catalog — which doesn’t mean it isn’t fraught with frustrations for anyone buying it. Its very existence is something of a fluke — in the spring of 1972, the five original Simon & Garfunkel albums, Wednesday Morning, 3 AM, Sounds of Silence, Parsley, Sage, Rosemary & Thyme, Bookends and Bridge Over Troubled Water, were still selling almost as well as they had in the 1960s; indeed, Bridge Over Troubled Water had carved out a seemingly permanent place for itself on the charts for years; and between the continued radio play of the duo’s biggest hits, and the inevitable discovery of their catalog by successive new waves of junior high and high school students, those five LPs stood among the most profitable parts of the Columbia Records back catalog, rivaling Bob Dylan’s much larger library in sheer numbers. Columbia might have gone years longer without compiling the duo’s hits, but then, in June of 1972, Paul Simon and Art Garfunkel did something totally unexpected — in the midst of Simon’s still-emerging solo career (and the careful crafting of his identity as a single act), and Garfunkel’s re-identification of himself as an actor, the two reunited for one night, to do a benefit performance at New York’s Madison Square Garden for the presidential candidacy of Senator George McGovern. (The latter event also took on a life of its own, as the first widely available Simon & Garfunkel concert bootleg, with terrible sound but capturing for posterity what had to be one of the funniest moments of their stage history, when Simon, attempting to suppress his laughter, remarks in connection with requests being called out, that someone “wants to hear “Voices of Old People” from Bookends). The performance was widely publicized, both before and after the event — McGovern had captured the hearts and imaginations of tens of millions of high school and college students around the United States that spring, and this reviewer can attest to the fact that millions of people who were not at that show felt like they were there in spirit. It was inevitable that Columbia would want to put out a new Simon & Garfunkel release to take advantage of the renewed attention and excitement surrounding the duo, and they probably could have gotten away with a straight greatest-hits collection; but thanks to some inspiration and cooperation between the label and the artists, Greatest Hits went far beyond that. Nine of the tracks on the 14-song LP did, indeed, comprise the duo’s biggest hits — including “Bridge Over Troubled Water,” “Mrs. Robinson,” and “The Sounds of Silence” — in their familiar studio versions; but interspersed between them were previously unheard live recordings of “For Emily, Whenever I May Find Her,” “The 59th Street Bridge Song (Feelin’ Groovy),” “Homeward Bound,” and “Kathy’s Song,” plus an alternate take of “America.” At that time, Simon & Garfunkel had never released a live album, and as it happened, at least four of those five were among the most personal songs in the duo’s repertory — songs that millions of fans responded to individually (as opposed to the mass appeal of the pair’s hit singles). The fact that they were present as excellent live performances made the appeal of this record irresistible to fans at every level, from the most casual to the most serious and dedicated. It was a sign of just how much they were loved and missed (and, perhaps, needed?) that without anything but that one unrecorded and untelevised benefit show to support its release, the record peaked at number five on the Billboard charts. And a couple of years later, it joined their original five albums as a perennial catalog favorite. And it still holds up — it touches all the right buttons, providing an overview of the duo’s most popular songs, but with those live cuts and the “America” outtake to make it essential in its own right, separate from the overview — indeed, it manages to present both the duo’s broader history, and their most widely appealing music, and their most intimate work, all seamlessly; only some interesting and ambitious singles that either hadn’t stood the test of time (“Fakin’ It”) or were artistic blind alleys (“The Dangling Conversation”), were missing, along with “Punky’s Dilemma,” a perennial FM radio favorite that lay just below Columbia Records’ and the duo’s radar. All of that is the good part about this collection, which ought to get an unqualified rave — the bad part, and the reason that it doesn’t get that rave, is the sound quality, which was indifferent on the LP and worse on the CD, with sound that audibly cracks on parts of “The Sounds of Silence” and some of the other early studio cuts; Greatest Hits has begged for a sonic upgrade, and remastering from better sources, for two decades, and Columbia somehow missed the obvious opportunity to do this as part of either its Mastersound and SACD catalogs. It’s the one caveat that anyone buying it should bear in mind. – Bruce Eder

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