Breathing The Fire

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Album Information

Total Tracks: 12   Total Length: 35:42

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J. Edward Keyes

Editor-in-Chief

J. Edward Keyes has been writing about music for nearly 15 years, a fact he occasionally finds terrifying. His work has appeared in Rolling Stone, the Village V...more »

12.16.09
Ohio thrashers bridge the gap between hardcore and black metal on their excellent third record
2009 | Label: Prosthetic/Red Ink

Make no mistake about it: Skeletonwitch are campy. Their name is campy: An ordinary skeleton? Just so-so. A Skeletonwitch? Infernal. The artwork is campy: the devil's skeleton, in a bubbling lava sea full of a bunch of other skeletons, holding up a pair of skulls. Even their song titles are campy: "Gorge Upon My Soul." "Longing for Domination." "The Despoiler of Human Life." It's like A Beginner's Guide to the Black Arts.

Which doesn't mean that Skeletonwitch is jokey. The 12 songs that comprise their third full-length are serious as Anton LaVey's eyebrows, endless white-hot combinations of thrash recklessness, punk rock fury and the moribund misery of black metal. There's no snark, no winking and, thank god, no irony, just a dozen blazing hellraisers that bridge the bleak abyss between hardcore and heathenism. It also seems to run, in spirit, exactly counter to its predecessor: if Beyond the Permafrost was all icy Nordic paganism, Fire is heated hatred from the bowels of Ohio. Vocalist Chance Garnett sings like someone cut out his larynx with a penknife: there's no tone, just gargle, a sickening series of belches and yawps as pitch-black as charred bones. It's barely there at all on "Blinding… read more »

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They Say All Music Guide

All that’s really changed between Skeletonwitch’s debut for the Prosthetic label, 2007′s Beyond the Permafrost, and their 2009 follow-up is that they’re — if possible — even more themselves. Their blend of thrash, black metal, and classic guitar harmonies has grown airtight through heavy touring, and these songs share all the qualities that made Permafrost one of 2007′s best metal releases. As on the previous album, the band is relentless, never slowing down or changing up its basic attack in any but the most minimal ways — still, the supply of catchy thrash riffs seems inexhaustible. Vocalist Chance Garnette is occasionally annoying; his lower death growls work well, but his other voice is a high-pitched shriek, like a witch from a Halloween sound effects album for children’s parties. But the dual lead guitars are smokin’ hot, and the band knows to keep it simple and get in and out fast — the longest song on this album is 3:43, and seven of its 12 tracks come in well under the three-minute mark. This is a drive-around-with-the-windows-down thrash/speed metal album with occasional dips into black metal (but not enough of them to annoy listeners who don’t like that genre) and tons of melodic, anthemic riffs and hooks. Skeletonwitch do for thrash what the Sword do for stoner/doom metal — take the best of the old style and drag it into the present and future. – Phil Freeman

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