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Hard Time Killing Floor Blues

Rate It! Avg: 5.0 (24 ratings)
Hard Time Killing Floor Blues album cover
01
Hard Time Killing Floor Blues
3:28 $0.99
02
Sick Bed Blues
3:40 $0.99
03
Washington D.C. Hospital Center Blues
4:19 $0.99
04
Devil Got My Woman
6:20 $0.99
05
Illinois Blues
3:41 $0.99
06
I Don't Want A Woman To Stay Up Night Long
4:45 $0.99
07
Cherry Ball Blues
3:54 $0.99
08
Skip's Worried Blues
4:22 $0.99
09
Cypress Grove Blues
4:08 $0.99
10
Catfish Blues
3:33 $0.99
11
Motherless & Fatherless
4:08 $0.99
12
All Night Long
4:55 $0.99
Album Information

Total Tracks: 12   Total Length: 51:13

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...Revival Skip James

barbad

I like how people are amazed at the quality of these recordings, from the late 60s! It's an OK set but if you wish to download an album, I suggest that you pick one which features his wonderful piano playing as well

user avatar

Great Quality

Pelican

Pristine recording quality, and Skip's voice is beautiful here. Gotta say, the title track is going to stick with me for life.

user avatar

incerdible sound.

samaepstein

unbelievable recording quality for this artist. one of my favorite albums

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eMusic Features

1

Where Did the Blues Begin?

By John Morthland, eMusic Contributor

The biggest debate in blues circles these days is, "where did the blues begin?" Ever since the blues revival of the 50s and 60s, the answer has been "the Mississippi Delta." But in recent years, more than a few blues buffs have argued, that while the Delta is where the harshest form of blues indeed gelled, there is very little evidence to suggest that blues started there. Further, Delta blues in its heyday was almost… more »

They Say All Music Guide

Hard Time Killing Floor Blues was the first session Skip James recorded following his rediscovery by John Fahey and Henry Vestine in the mid-’60s. Though he had not played the blues for more than 20 years, his skills were largely undiminished, and he turns in a fantastic set here. James was the pinnacle of the Bentonia (Mississippi) sound, which combines complex fingerpicking with falsetto vocals, resulting in somewhat spooky-sounding strain of blues. James reprises several of his 1931 Paramount sides on this session, as well as a couple new tunes that chronicle the illnesses of James’ latter days. Anyone with a passing interest in acoustic blues should own some James. This set would make a great starting point, especially for those who don’t take well to the surface noise that can accompany his ’30s sessions. The new mastering here sounds rich and warm. Highly recommended. [This set was previously released as Biograph 122, with a different running order.] – Sean Westergaard

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