Teknochek Collision

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Teknochek Collision album cover
Album Information

Total Tracks: 12   Total Length: 48:15

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Proper dance music

nvysniauskas

Not that other dance music isn't proper of course, and in fact musical purist of any sort are advised to stear clear. The balkan brass sound predominates but other musical influences are continually fed into this. However, the overall effect is one where you forget about the original synthesis of musical styles that they may be creating, and just want to get up and dance!

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Funky, Brassy and Killer awesome

workaaron

If you wanna shake your hiny, if you wanna throw your head around to some shiny funky brass, if your the funny guy in your class, you will be eternally grateful to Slavic Soul Party! for creating this melodic and rhythmic blend of brass traditions from around the world.

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Barbès Records Radio

By Barbès Records, eMusic Contributor

Barbès Records started out six years ago as an offshoot of the Brooklyn club of the same name. Its first releases came from bands that performed regularly at the club - such as Slavic Soul Party and Las Rubias del Norte, but the label soon expanded to a more international roster. In 2006, Barbès released the first compilation of psychedelic cumbia from Peru - The Roots of Chicha, Vol 1, which proved to be a… more »

They Say All Music Guide

American Balkan brass — it’s not a bad idea, and given a bit of twist on Teknochek Collision by the fact that bandleader Matt Moran’s Brooklyn-based ensemble has little if any true Balkan connections. If you like the big sound of the Balkan brass bands, this will seem a little different. There’s no pedal-to-the-metal soloing, and there’s a decidedly jazzier take to the improvising at times, but it remains a thrilling ride, albeit on better roads. With a mix of somewhat tweaked traditional Balkan material and originals, Slavic Soul Party! can raise a good head of steam, while thankfully making no pretense to be something they’re not. This is their interpretation of a musical culture, refracted through their own prism, and actually stronger for it. Certainly there’s not a bad tune here, with plenty of excellent playing, the solos concise and sharp, and the rhythms more than a backbeat. You might miss the tortuous turns, which have been smoothed out here, but there’s no doubt that this Americanized version can hold its own anywhere in the world. The vocal cuts shimmer with some excellent, passionate singing, and the whole thing is a real success. – Chris Nickson

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