Son House Revisited Vol. 1

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Son House Revisited Vol. 1 album cover
Album Information

Total Tracks: 16   Total Length: 64:41

eMusic Features

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Where Did the Blues Begin?

By John Morthland, eMusic Contributor

The biggest debate in blues circles these days is, "where did the blues begin?" Ever since the blues revival of the 50s and 60s, the answer has been "the Mississippi Delta." But in recent years, more than a few blues buffs have argued, that while the Delta is where the harshest form of blues indeed gelled, there is very little evidence to suggest that blues started there. Further, Delta blues in its heyday was almost… more »

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Preachin’ the Blues

By Mike McGonigal, eMusic Contributor

"Yes, I'm gonna get me religion, I'm gonna join the Baptist Church/ You know I wanna be a Baptist preacher, just so I won't have to work" — Son House, "Preachin 'the Blues" Blues singers recorded dozens of superb gospel sides during the commercial recording heyday of the '20s and '30s, and later during the folk and blues revival of the late '50s and early '60s. Many blues singers had gospel songs in their repertoire, but… more »

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The Politic Melodic: A Campaign Song History

By Yancey Strickler, eMusic Contributor

In ways that grow more important by the day, the 1972 presidential contest between incumbent Republican Richard Nixon and Democrat George McGovern has dictated the tone, style and execution of every election since. It birthed the modern-day primary format; it defined and honed the press 'approach to all political coverage; it featured the most effective use of the presidency itself as a campaign asset; and, finally, even in defeat, McGovern's campaign dramatically shifted every campaign's… more »

They Say All Music Guide

Revisited is a double-disc of live Son House recordings from the Mississippi delta blues legend’s twilight years on the folk revival circuit. Disc one is a mid-’60s performance at Oberlin College; after a scholarly introduction by his then-manager Dick Waterman, House starts out in fine form, prefacing each song with long, discursive monologues that touch on a variety of topics. Highlights include terrific versions of his signature songs “Death Letter” and “Levee Camp Moan,” but there’s also a couple of extended tracks that wander fruitlessly, the nadir being the 10-minute “Son’s Blues,” a disjointed, tuneless mumble that sounds like House, a notorious imbiber, was half off his head. Disc two, recorded in 1965 at New York’s Gaslite, suffers from very poor sound quality, and the performances tend more toward the distracted and half-baked. These discs are a belated official release of two long bootlegged concerts, but while the sound quality is improved (especially on the first disc), it can’t be called genuinely good. With that caveat, fans will find this a worthwhile historical curio. – Stewart Mason

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