eMusic Review 0
Kurt Cobain had put a bullet through his head and grunge was officially dead by the time Sonic Youth released their tenth album in 1995. If there was any hope for these alt-rock lifers, now in their 40s, to have commercial appeal among younger listeners, those hopes now seemed totally shot. Even the band realized this: Lee Ranaldo joked to MTV at the time that Sonic Youth, disgruntled with the major labels' revenue-oriented, sausage-making-approach to their rosters, had considered changing their name to Washing Machine. "We're cleaning up the scene," he joked.
To record the album, Sonic Youth left their hometown of New York for Easley Studios in Memphis. And just like Experimental, Washing Machine has a wonderfully unfussed-over, laid-back vibe. The most noticeable change to Sonic Youth's sound is the absence of bass throughout. Kim Gordon opted to pluck on a guitar instead, resulting in a thinner, more skeletal collection of tunes, especially on tracks like "Becuz" and "Junkie's Promise."
The band started to stretch out their improvisatory tendencies for the first time since Daydream. "Washing Machine" is a two-part epic that morphs from a spastic, minimal punk jam into a sprawling, static-saturated reverie. "Diamond Sea" is even grander in scale:… read more »







