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Rockin' In Rhythm

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Rockin' In Rhythm album cover
01
Eleanor Rigby
5:38  
02
When The Sun Comes Out
6:31  
03
Sonnymoon For Two
4:56  
04
Rockin' In Rhythm
4:44  
05
Misty Roses
5:59  
06
(I'm Afraid) The Masquerade Is Over
5:51  
07
All The Things You Are
5:54  
Album Information

Total Tracks: 7   Total Length: 39:33

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eMusic Features

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New This Week: Cloud Nothings, Craig Finn and More

By J. Edward Keyes, Editor-in-Chief

The first HUGE new release day of 2012, so strap in and get ready for a pretty comprehensive rundown! Dave Sumner's got your jazz picks, and I've got the rest. Here we go! Cloud Nothings, Attack on Memory: ALBUM OF THE DAY. Dylan Baldi grows up in a nanosecond, making a snarling rock record that hurtles forward with the speed and fury of a meteor. The sonic touchstones here are '90s emo greats like Jawbreaker, the… more »

They Say All Music Guide

Sonny Criss started out in the late ’40s as a California-based bebopper whose intense, fiery playing on alto sax did nothing to help sort things out in the largely specious discussion of West Coast cool/East Coast hot. He was a virtuoso who could up the ante on any of his contemporaries, from Art Pepper to Cannonball Adderley.Rockin’ in Rhythm, from 1968, catches Criss at a creative peak, during the period following his return from three years in Europe. He is matched with a marvelous group: bassist Bob Cranshaw, drummer Alan Dawson, and an impressive Eddie Green on piano. This highly compatible group of like-minded masters is well-served by a recording that puts the listener in the middle of their tight-knit sound. While Green is not a name brand to the extent of a Cedar Walton or Roland Hanna, he is arguably their equal — a soulful, fluid stylist with technique to spare. The program of pop covers, ballads, and standards lets Criss display all aspects of his sound. On the ballads, each note gets close, thoughtful attention. Up-tempo, Criss flies as fast as any of his peers, but with a precise, crisp execution that sets him apart from the merely fleet-fingered. The excellent bonus track, “All the Things You Are,” from a 1967 session, has Paul Chambers on bass and Walter Davis at the piano. Anyone hearing Criss for the first time via this CD will feel compelled to dig deeper into his discography. – Jim Todd

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