Brass/Trio

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Brass/Trio album cover
Album Information
EDITOR'S PICK

Total Tracks: 8   Total Length: 35:12

eMusic Features

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Don Cherry: Pied Piper with a Pocket Trumpet

By Kevin Whitehead, eMusic Contributor

Don Cherry began to make his mark with his first recording session, on February 10, 1958, as foil for freebopping alto saxophonist Ornette Coleman on music recorded for Something Else! Their bebop forebears Dizzy Gillespie and Charlie Parker favored rough-sounding unison melodies, a departure from the swing era's smooth blends, but the Coleman-Cherry mix was scrappier still. As soloist, Don took cues from how Ornette's solos didn't track a tune's harmonies too closely. They didn't… more »

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Coltrane in the 1950s: Late Bloomer

By Kevin Whitehead, eMusic Contributor

In May 1956, when Sonny Rollins and guest John Coltrane locked horns on the friendly throwdown "Tenor Madness," Coltrane was 29, and Rollins four years his junior. But at this point in their careers, Sonny had the jackrabbit head start. He'd been recording under his own name since 1951, and was much admired; Coltrane hadn't yet made a record of his own. It's easy to forget, sometimes, Coltrane wasn't always lionized; some reviewers of his early… more »

They Say All Music Guide

In 1958 Sonny Rollins split an LP between two very different settings. On four selections he is backed by a big band arranged by Ernie Wilkins (Rollins’s appearances with big bands have been quite rare through the years) including Gershwin’s “Who Cares?” The flip side showcases the great tenor in a trio with bassist Henry Grimes and drummer Charles Wright including “Manhattan,” one of the very few jazz versions of “If You Were the Only Girl in the World” and a brilliant unaccompanied performance of a song often associated with his idol Coleman Hawkins, “Body and Soul.” Rollins excels in both of these settings, making this an easily recommended set. – Scott Yanow

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