Take Love Easy

Rate It! Avg: 4.5 (131 ratings)
Take Love Easy album cover
Album Information

Total Tracks: 13   Total Length: 50:51

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Beautiful Bossas

SFBass

I know I've said it before, but Sophie Milman is everything a contemporary jazz vocalist should be. She takes these beautiful songs and interprets them with subtlety and great effect. Her scat singing with the flute on "Triste" is creative but absolutely grounded in tradition. Her last few notes on Triste build to a thrilling climax without betraying the laid-back feel that usually makes bossa climaxes sound inauthentic and cheesy. The bossa-swing arrangment of "Day In, Day Out," is another gem.

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The very sound of closeness and intimacy

Steliade

Sophie's voice is gorgeous, she sounds so deep, soulful and heartfelt. When you listen to her, you feel that she's singing for you personally and that she elected you to share her secrets :-) One of my very favorite voices in all kinds of music. Just close your eyes and start the journey...

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It's Just Beautiful Music

xxdochead

What else can i say, It's just some very beautiful music. I had no idea who she was and I'm always looking for new talent on Emusic. I found her in the Most Downloaded page and i took a chance. WOW, this is so sweet and comforting. I listen to her at work and she helps keep the stress LOW.

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I'll take her

Cojonu

Smoky voice and a a great Rack. Who could ask for more ?

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THE WHOLE PACKAGE

RickZee

A great selection of songs and Sophie has never sounded better. It will be a pleasure to watch this young woman's talents grow!

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young beautifull and great

sltrlee

listen tothis young lady singing with great lyric understanding, a great sound ,and yousay all is not lost for good MUSIC

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True Voice

tmstein4c

This artist is pure and true to her soul. She is so talented and brings her heavy jazz to the next level

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Credits

ABSALOM

Produced by Steven MacKinnon / Engineered and Mixed by John 'Beetle' Bailey / Personnel: Paul Shrofel, piano (1, 3-5, 7-11, 13), Fender Rhodes (6, 12); Rob Piltch, guitar (1-13); Kieran Overs, bass; Mark McLean, drums (1-13); Wessell 'Warmdaddy' Anderson, alto saxophone (3, 4, 9, 13); Guido Basso, trumpet (5), flugelhorn (11); Robi Botos, piano (12); Michael Davidson, vibraphone (1, 5, 10); Michael Kaeshammer, piano and vocals (15); Rosendo (Chendy) Leon, percussion (6, 9-12); P.J. Perry, soprano saxophone (2); Tom Szcezesniak, accordion (6). / Additional Horns and Woodwinds: Les Alt, alto flute (11); Guido Basso, trumpet (4), flugelhorn (7, 11); Richard Cohen, French horn (7); Vern Dorge, bass clarinet (11); Dave Dunlop, trumpet (4), flugelhorn (7); Al Kay, trombone (4, 7); Jason Logue, trumpet (4); Gord Meyers, trombone (4, 7).

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Rising Tide of Female Jazz Singers

By Dan Ouellette, eMusic Contributor

While the legendary voices of such jazz icons as Billie, Ella and Sarah still ring true, subsequent generations of female jazz vocalists have taken the music in new directions, especially in the '90s, ranging from Cassandra Wilson's new-standard caress to Diana Krall's classics with a twist. Taking their lead, young singers over the last decade have been swinging the vocal tradition onto a new plateau with a pop sensibility. In the mix are tunes by… more »

They Say All Music Guide

Some critics might dismiss Sophie Milman as simply another pretty female singer, yet with her third CD, she continues to show an adventurous spirit, tackling standards and obscurities while also forging ahead into pop. Retaining many of the musicians from her previous release, Make Someone Happy, the upbeat alto offers a hip take of Duke Ellington’s long overlooked “Take Love Easy,” exuding sex appeal and backed by guitarist Rob Piltch, bassist Kieran Overs, and percussionist Mark McLean (who also arranged it), with a brief solo added on soprano sax by PJ Perry. Pianist Paul Shrofel contributed the breezy bop vehicle “That Is Love,” which showcases Milman in her best light. She soars in the brisk treatment of the old chestnut “Day In, Day Out,” starting in a samba setting and switching to bop, featuring alto saxophonist Wessel Warmdaddy Anderson. Her ventures into pop remain a mixed bag. “I Can’t Make You Love Me” has been recorded often, just not in a jazz setting. Milman is boosted by Steven MacKinnon’s chart, which adds several horns in the background, so it ends up deeper, even if there is little risk-taking by the singer. Milman can’t help but be influenced a bit by Joni Mitchell as she interprets the folksinger’s “Be Cool,” though she remains remarkably subtle in her approach. Less successful are her renditions of Bruce Springsteen’s “I’m on Fire” and Paul Simon’s “Fifty Ways to Leave Your Lover,” both of which are hampered by their bland melodies and forgettable lyrics. But with this generally strong release, Sophie Milman remains one of the most promising jazz singers of her generation. – Ken Dryden

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