It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »
Don Cherry began to make his mark with his first recording session, on February 10, 1958, as foil for freebopping alto saxophonist Ornette Coleman on music recorded for Something Else! Their bebop forebears Dizzy Gillespie and Charlie Parker favored rough-sounding unison melodies, a departure from the swing era's smooth blends, but the Coleman-Cherry mix was scrappier still. As soloist, Don took cues from how Ornette's solos didn't track a tune's harmonies too closely. They didn't… more »
Ask a jazz fan about Herbie Nichols, and the reaction is likely to be either, "He's a genius," or "Who?" The pianist and composer is the paradigm of a genius neglected in his own time. Nichols's classic mid-'50s sides for Blue Note were all but forgotten when he passed at 44 in 1963. A.B. Spellman memorialized him with a chapter in 1966's Four Lives in the Be-Bop Business, but he didn't get much respect till… more »
A few years ago, Italian saxophonist Daniele D'Agaro was visiting Chicago, and a critic friend put on a fairly obscure record to stump him. D'Agaro listened for about three seconds, said: "Lucky."
Good ears. He knows the distinctive sound of Lucky Thompson after he started hanging out in Paris and playing sumptuous tenor saxophone ballads recalling old idol Don Byas's Parisian sides. On "Solitude" and "We'll Be Together Again," from Lucky in Paris 1959, his tenor's… more »
Each of these ten tracks feature Steve Lacy in duo performances. Compiled by the soprano saxophonist, and not released until 1997, there are highlights galore throughout, making this an essential recording for any admirer of Lacy’s work. Each tune (most of which were composed by Lacy) features him with a different partner, including trombonists Roswell Rudd and George Lewis; percussionists Muhammad Ali and Masahiko Togashi; pianists Ulrich Gumpert, Bobby Few, and Mal Waldron; guitarist Derek Bailey; saxophonist Steve Potts; and vocalist Irene Aebi. While the sound is slightly subpar, the music is uniformly superb and showcases Lacy in some of his most creative and exuberant collaborations. While the material is often familiar, the results surprise and even startle, though in Lacy’s inimitably tasteful way. – Steve Loewy
![The Complete Nat Hentoff Sessions (with Archie Shepp) [Bonus Track Version] album cover](http://images.emusic.com/music/images/album/133/610/13361069/300x300.jpg)
