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A Wild & Crazy Guy

Rate It! Avg: 4.5 (60 ratings)
A Wild & Crazy Guy album cover
01
I'm Feelin' It
5:32 $0.99
02
Philosophy/Religion/College/Language
10:22
03
Creativity In Action/I'm In the Mood For Love
2:26 $0.99
04
A WIld And Crazy Guy
7:01 $0.99
05
A Charitable Kind Of Guy
1:39 $0.99
06
An Expose
2:55 $0.99
07
Cat Handcuffs
1:42 $0.99
08
You Naive Americaans
2:00 $0.99
09
My Real Name
2:22 $0.99
10
King Tut
3:40 $1.29
Album Information
EDITOR'S PICK

Total Tracks: 10   Total Length: 39:39

Find a problem with a track? Let us know.

eMusic Review 0

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Sean Fennessey

eMusic Contributor

Director of Merchandising, emusic.com

01.11.10
A Swiss watch of idiotic genius, 'Wild and Crazy' is Martin at his unhinged best
2005 | Label: Rhino/Warner Bros.

To say that Steve Martin completely redefined modern American comedy by introducing the absurd, the rambunctious and the notion of irony is probably overstating things a bit. But not by much. The first half of this album, Martin’s first, was recorded in a small club in San Francisco, while the second was taped at Red Rocks Amphitheatre. That Martin was the hottest comic in the country, taking things from small clubs in local California to packed arenas (largely thanks to his cult hit “King Tut,” included here) in the span of just a few years in the ’70s, is a wonder, because Martin’s act at the time — a Swiss watch of idiotic genius — is very, very strange. There are no extended ruminations on airline food or cranky wives here, instead we get spastic recitations on tracks named “Language,” “Religion,” and “Philosophy.” Martin’s buffoon/savant act is an amazing refraction of everything that came before him. You think you see a joke coming, and then Martin falls on his face, embarrassing himself, shining a high beam on his idea, and getting legit laughs. On speaking in public he says, “Language is kinda my thing, being a comedian, and if you… read more »

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Oldie & Goodie

TYCOSAMSPO

I have had this album for years and it gets funnier every time I listen to it. Classic Steve Martin

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Shaped a Generation

RJ-in-Texas

Listen to this album, read his autobiography, then listen to this album again. Stand-up stand out Steve Martin is a true original, and one hard-working dude. A keeper in any comedy collection.

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Classic

JetFred

Absolutely incredible. Almost as good as Let's Get Small. King Tut is the WORST thing on the album, by the way,

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Not His First

zeppyfish

While Sean Fennessey's review is otherwise dead on, it should be noted that Steve's first album was actually "Let's Get Small," not "Wild & Crazy Guy." Both are essential for any comedy fan's collection.

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"Some people have a way with words...

NoelZevon

"...and some people... no... have way..."

Recommended Albums

They Say All Music Guide

“Repeat after me. I promise to be different! I promise to be unique! I promise not to repeat things other people tell me to repeat!” This is Steve Martin in action. He says something somewhat pseudo-intellectual followed by something silly, observation of the moment in tow. Throughout the Wild & Crazy Guy compilation, Steve Martin continuously caps on himself for being a comedian. “It’s really great to be here… There’s nothing like doing the same thing over and over again every night for two weeks in a row.” Self-reflective, one of his gimmicks is to put on the super suave act and compliment that by then turning into a complete imbecile. (Reference the movie The Jerk for a more complete definition of the phrase “complete imbecile.”) Not only do his jokes fall into this unique-to-him format, but the album itself is set up the same way. The first half of the compilation is a series of clips of Steve Martin working the nightclub crowds in San Francisco. Very intimate settings. Lots of brainpower being exercised. The second half is Martin caught onstage in a frenzy of celebrating mob mentality in front of a fantastic crowd. There’s a heavy reliance on his Saturday Night Live bits and creative but simple sex jokes.
Part one of the Wild & Crazy Guy album is wry and elicits a series cock-eyed grins along with several guttural “a-ha-I-get-its” from its audiences. There are many “takes” of the same joke (different versions, different clubs) that can give the at-home listener a sense of inertia, but this is forgivable (even enjoyable) because of the special kind of brilliance he bombards the audience with. Not everyone can play an idiot with the amount of savvy that Steve Martin can. Also, it is very interesting to hear how the same joke plays itself out with different crowds. The listener almost gets the sense that s/he is being let in on the creative process.
In the first half, Martin notes idiosyncrasies about college (his major, Philosophy, no surprise) career, and language. He claims he has a way with words, while other people, he notes, “er…not have way.” This comedy album also contains some of Martin’s best (and most repeatable, not to mention stolen) comeback lines. When interrupted by a catcall from the peanut gallery, Martin takes a moment, then offers, “Yeah, I remember when I had my first beer.” (Some of the more “heady” humor from this section that would be lost on a larger crowd also translates into his written works. He even names a few new faux titles including, “I’ll Take the Alphabet.” An important work for him, he muses, because it’s when he first started to include verbs in his writing.)
Part two of the Wild & Crazy Guy album (the crazy part) isn’t quite as engaging from a philosophical standpoint. But if you’re looking for zany, “Excuse me, I lost my mind for a moment.” Here Martin lovably panders to a roaring audience. He leaves his intellect for the crowd who can really appreciate it and beefs up posing as a complete idiot for the enjoyment of all involved. Non sequiturs abound between gags. (Another Steve-ism). He sings, “I’m a neat guy.” And “Grandpa/bought a rubber.” The crowd, obvious SNL devotees, gets treated to the famous “kitty handcuffs” bit, King Tut, and a rare on-stage appearance of the album’s namesake and actual wild and crazy guy character.
All in all, a very enjoyable album highlighting the range of Steve Martin’s craft. A must-have for the shelf of every fan. – Sandy Lawson

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