Reich : WTC 9/11, Mallet Quartet, Dance Patterns

Rate It! Avg: 4.5 (6 ratings)
Reich : WTC 9/11, Mallet Quartet, Dance Patterns album cover
Album Information
EDITOR'S PICK

Total Tracks: 7   Total Length: 36:34

eMusic Review 0

Avatar Image
John Schaefer

eMusic Contributor

10.11.11
An almost-journalistic approach to tragedy that yields dividends
2011 | Label: Nonesuch

The centerpiece of this album is of course the title track, “WTC 9/11,” written for the 10th anniversary of the September 11 attacks. Reich lived for decades in an apartment just three blocks from the World Trade Center, and on the morning of 9/11, Reich’s son was living in the apartment with his family. The ominous opening of “WTC 9/11″ — the sound of a telephone busy signal — is a sound Reich was spared as his son was able to stay on the line before being safely evacuated. Given Reich’s personal connection to the event, “WTC 9/11″ might seem a surprisingly dispassionate piece. Voice samples of NORAD air controllers, and local residents and eyewitnesses (including the unmistakable voice of fellow Pulitzer Prize-winning composer David Lang, who was walking his kids to a nearby school that September morning), form the basis for the score, and as with his earlier masterpiece “Different Trains,” the Kronos Quartet layers string parts built around the implied melodies of the spoken clips. But Reich’s almost-journalistic approach yields dividends, especially in the work’s third and final section, built around the sounds of women who sat with the bodies and remains of the attack’s victims, following an… read more »

Write a Review 0 Member Reviews

Please register before you review a release. Register

Recommended Albums

eMusic Features

0

Six Degrees of Brian Eno’s Another Green World

By Richard Gehr, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

0

Icon: Steve Reich

By Justin Davidson, eMusic Contributor

We organize our lives in patterns - rituals that repeat, from morning coffee to nightcap, altering by increments we hardly notice, until eventually we realize that we have evolved away from the people we were a decade or two ago. This pulsation of constancy and transformation is what made the music of Steve Reich seem so familiar when it was revolutionary in the early 1970s. It's also what makes so many of his scores sound… more »