Something Deeper Than These Changes

Rate It! Avg: 4.5 (23 ratings)
Something Deeper Than These Changes album cover
Album Information

Total Tracks: 15   Total Length: 49:45

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Brilliant

toastonastick

Stew is it! The songs are terrific and often with compelling lyrics (try "Love like that"). Also, start with tracks 4, 7 and 11. But you may as well get them all. Guest House to for that matter.

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Stew is Odd and Wonderful

ScienceDork

I love Stew! Both this album and "Guest Host" are fun and interesting. On this album the songs that really shine are "Mind the Noose and Fare Thee Well," and "The Sun I Always Wanted," which is so beautiful it brings tears to my eyes. Highly recommended.

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Hit And Miss

StratoKid

Like Stew’s other albums, including those by “The [N-word] Problem”, this one is inconsistent. It has a few gems along with the many forgettable tracks. The gems are Love Like That, The Sun I Always Wanted, Statue Song and Way Of Life. Keep in mind that this is really a folk album, with light accompaniment and a focus on the lyrics. If Stew wants to live in a bigger house, he needs to add some electric guitars and synthesizers.

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They Say All Music Guide

From its stark cover painting to the introspective lyrics and acoustical setting, Stew has boiled down all of the musical ingredients incurred from his solo discs and outings with the Negro Problem to leave his most intensely flavored and personal collection yet. Melodic meditations on love, loss, happiness, and regret fill the disc, creating what feels like a musical self-portrait painted by Stew in an attempt to show you Something Deeper Than These Changes. Looking past the beautifully colored lines of pop melody, Stew’s lyrics provide a dense, solid base that enhances the music with more depth than on previous discs. Setting the tone is the quietly affecting “Love Like That,” in which Stew reflects on the love people receive, almost unknowingly, in their rebellious youth that is appreciate in later years as “loves taken for granite/when you don’t understand it/since it came so easily/must be free.” Later in the disc he views love from the parent’s perspective in the sweet folk setting of “The Sun I Always Wanted,” as a child’s birthday means more than cake, ice cream, and presents. Throughout the disc, love is the central theme and even the darker aspects of loving something rather than someone are explored. In “Kingdom of Drink,” Stew studies the seemingly magical and escapist world of an alcoholic who appears to love his life of indulgences despite the many downfalls. A circus-like lounge keyboard paints this picture of accepted despair framed by synthetic beats that drunkenly stumble along. But this bleak musical setting is balanced by Stew’s aptitude for writing pop/cabaret-style songs that show off his influences as in “The Instrument of Pain”, which sounds like a lost song from Burt Bacharach’s early-’70s collaborations with B.J. Thomas. With every brush stroke of music, Stew creates an indelible image in your mind that becomes deeper and more focused with each viewing. To simply call him an artist is an understatement as Something Deeper Than These Changes elevates Stew into the upper echelon of pop songwriting masters. – Aaron Latham

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