eMusic Review 0
This doomy, female-led Salt Lake City art-metal outfit made one of the most unique and powerful albums of 2011. Featuring violin as the lead instrument, with guitar secondary and a thundering, Sabbath-unto-Swans (male) rhythm section, it had the feeling of occult incantation mixed with carefully crafted pagan folk music (especially on their cover of the traditional English folk song “House Carpenter,” delivered a cappella). As thunderingly loud as it is sensitive and emotionally resonant, this is a masterful, assured record that will creep under your skin and bubble up out of your brain when you’re least expecting it. Essential.