|

Click here to expand and collapse the player

Penpals Forever (& Ever)

Rate It! Avg: 4.0 (9 ratings)
Retail
Member
Penpals Forever (& Ever) album cover
01
A1
11:27  
02
A2
14:24  
03
A3
9:29
$0.49
$0.99
04
B1
5:28
$0.49
$0.99
05
B2
9:20
$0.49
$0.99
Album Information

Total Tracks: 5   Total Length: 50:08

Find a problem with a track? Let us know.

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

Nov. 16. 2010

brighternow

Expanding Erik Skodvin's extremely limited 2008 cassette edition Penpals Forever, this CD release remasters the original content and adds a whole extra side's worth of new material. You wouldn't necessarily discern this straight away from the Deaf Center member's elusive and teasingly enigmatic music, but apparently 'Penpals Forever And Ever' is an "imaginary tale of a long dead baroque painter and his telekinetic correspondence with a flightles... Boomkat.

They Say All Music Guide

The expanded version of the original Penpals Forever cassette captures Erik Skodvin (aka Svarte Greiner) in fine creative health, the more so because he uses it to demonstrate that it’s not simply about one-note doom and gloom from his neck of the woods (as the album title perhaps wryly illustrates). The original two tracks from the cassette remain enjoyable portraits of Greiner’s work in exploratory mode away from extreme darkness: the crackling overdubbed guitar lines on the opening “211″ feel like something slowly tuning itself up to a contemplative, moody, but not darkly overpowering layering of drones, echo, and recurrent sparks of further notes. “212,” in contrast, is much more immediately melancholy in feeling, a slow loop of background tones playing through tape fuzz as additional guitar screeches and skronks emerge over its quarter-hour length. The three new tracks further the this theme, finding a middle ground between melancholy and a broader emotional palette. “231″ consists of solo bass under similar amounts of echo and sustain as the main two tracks, a bit aimless but atmospheric enough. “232″ aims away from immediately obvious instrumental performances for sheer swells of tones and arcing sound, creating a suggestion of vast caverns. “233″ concludes the disc with something between Thomas Köner’s early experiments with gongs and ambience and his own familiar, dark black walls of feedback; though it then all wraps up with a bit of forlorn guitar, it’s a fine conclusion. – Ned Raggett

more »