Texas Alexander Vol. 1 (1927-1928)

Rate It! Avg: 4.0 (13 ratings)
Texas Alexander Vol. 1 (1927-1928) album cover
Album Information
EDITOR'S PICK

Total Tracks: 23   Total Length: 69:36

eMusic Review 0

Avatar Image
John Morthland

eMusic Contributor

John Morthland has been writing about music since the days of electronically rechanneled stereo and duophonic sound. His name has darkened the mastheads of Roll...more »

04.22.11
Some of the most unlikely blues ever recorded.
2005 | Label: Document Records / The Orchard

Herein resides some of the most unlikely blues ever recorded. This Dallas street singer is one of the only vocalists to record versions of the field hollers that preceded blues. He sang in a cavernous, melismatic tenor that paid little attention to such niceties as meter, rhyme, melody or key. And he didn't play an instrument. So who did his label pair this most primitive of singers with? Why, none other than Lonnie Johnson, one of history's most technically advanced blues guitarists. Lonnie rises to the occasion, following and embellishing Alexander boldly and beautifully on such hollers as "Section Gang Blues" and "Leevee Camp Moan Blues." On other occasions, Alexander was backed by the great jazz guitarist Eddie Lang, jazz cornetist King Oliver and black string band the Mississippi Sheiks, with varying but always worthwhile results.

Write a Review 1 Member Review

Please register before you review a release. Register

user avatar

the real stone deal

chexmix

Folks, this is it: the deepest country blues I have downloaded in a looooong time. Alexander's voice does have that haunting "holler" quality that, for me, indelibly marks many of the pitch-bluest singers: Son House, Sam Collins, whoever. It's here. And Lonnie Johnson's accompaniment is uncannily perfect. Get it!

Recommended Albums

eMusic Features

0

The Best Blues On Document Records

By John Morthland, eMusic Contributor

Nobody could ever accuse Austrian painter Johnny Parth of lacking ambition. Back in 1990, he decided that somebody should make available all pre-1943 African-American blues and gospel except those by artists (such as Robert Johnson) who'd already gotten such royal treatment from major labels. Thus was Document Records born. And today, Parth has pretty much achieved his goal, to the extent that he's started in on pre-war American country music. Born Johann Ferdinand Parth in 1930… more »