The Curse of Martha Splatterhead

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Album Information

Total Tracks: 14   Total Length: 29:52

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Christopher R. Weingarten

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Christopher R. Weingarten is a freelance music writer living in Brooklyn, whose work can currently be seen in The Village Voice, Spin, Revolver, NYLON, and much...more »

08.18.09
The Accüsed return, with umlaut and exquisite sense of the disgusting intact
2009 | Label: Southern Lord

The Accüsed, Seattle's crossover brats whose mutant strain of punk and metal was dubbed "splatter rock" in the '80s, have returned with a sound that's updated for heavier times, but no less disgusting. Their 1988 album Martha Splatterhead's Maddest Stories Ever Told is an underground classic — perfectly sloppy, completely deranged horror-thrash played with the goofy joie de vivre of a surf-punk prank, a sound that followed them all the way through to their 2003 comeback attempt Oh, Martha! Their new record, The Curse Of Martha Splatterhead is no less breakneck and noxious (only one song clears three minutes), it definitely seems like its been guided by Southern Lord label head and SunnO))) doom-meister Greg Anderson. With an entirely new band behind guitarist Tom Niemeyer, buzzsaw guitars are now a doomy churn; splattery drums are now surgery-precise; the Bad Brains vocal whine is now an assured modern metal roar; even the creepy sound effects sound like Thomas Köner noise art. These thrashy legends storm into the 21st century with a sound that can finally hold its own alongside the Accüsed's extreme-metal-infused hardcore children like Disfear or Venomous Concept.

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First things first: this incarnation of the Accused features exactly one original member — guitarist Tommy Niemeyer, a co-founder of the band who left to join Gruntruck after this outfit’s last album, 1992′s Splatter Rock. That being said, it’s easy to draw a straight line, sonically speaking, between The Curse of Martha Splatterhead and the late-’80s discs that made the Accused’s name in the thrash/hardcore underground. They’re still blazing through songs in 90 seconds, maybe stretching it to three minutes if they’re feeling particularly epic (as on album closer “Splatter Rock II”). The music will definitely appeal to those who like their thrash primitive and old-school; current vocalist Brad Mowen sounds like he’s trying to spit out a mouthful of insects with every line, as bassist Dorando and drummer Mike Peterson crank out punky rhythms behind him and Niemeyer’s riffs recall D.R.I. (and their modern-day clones, Municipal Waste, for youngsters) as much as the Accused’s own back catalog. The bits of sampled horror-movie dialogue that introduce various songs are another vintage touch. Though the songs are pretty damn good, this is far from an essential album even for old-school Accused fans, but it’ll probably make them bang their heads happily as they drive the kids to school. – Phil Freeman

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