Circles

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Circles album cover
Album Information
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Total Tracks: 10   Total Length: 37:17

eMusic Review 0

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Peter Blackstock

eMusic Contributor

09.23.11
A wondrously low-key record
2005 | Label: Arena Rock Recording Company / Redeye

Though Wilco bassist John Stirratt had a songwriting credit and lead vocal on the band’s first album, subsequent releases proved the band would be Jeff Tweedy’s vision, so Stirratt sought a side-project outlet for his own material. He teamed up with Mississippian Pat Sansone in the Autumn Defense, mining a vein not dissimilar to Wilco’s but with a more intimate feel. Circles, their second album, is a wondrously low-key record; guitar strings and pianos intertwine softly to create slightly jazz-inflected folk-pop landscapes colored by the sweet voices of Sansone and Stirratt. The empty-streets scene of the melancholy opening track, “Silence,” is set at 2:45 a.m.; ringing stringed instruments ricochet against gentle strains of feedback, bringing the wee-hours vignette to life. Everything flows from that beginning; the mood is never broken through a series of mesmerizing numbers ranging from the ever-so-slightly uptempo dreamer “The World (Will Soon Turn Our Way)” to the lounge-flavored reverie “Tuesday Morning.” They cast their spell so subtly but effectively that when they reach the title-track conclusion and its horn-accented echoing mantra — “All these thoughts that fill my head, begin to grow” — their music has indeed transcended from the head to the heart and soul.

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The Autumn Defense - Circles

racar42

It's a testament to the talent of Wilco that a side project for bass player John Stirratt and keyboard player Pat Sansone could contain this caliber of songwriting. All of the songs on "Circles" are excellent and worth downloading. Standout tracks are: The Sun In California and The World Will Soon Turn Our Way. Acoustic rock at it's best.

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They Say All Music Guide

The Autumn Defense let down their guard on Circles, their second album, to reveal the blue-green beauty trembling beneath. Less ambitious and far more intuitive, it’s a mellow stretch of earthy folk-pop, where horns and strings are used because they sound nice, not out of a self-appointed duty to past musical idols. Between John Stirratt’s busy touring schedule with Wilco and Pat Sansone’s multitude of production engagements, Circles exudes the ameliorative qualities of an escape record that was made during downtime, for downtime — while mentally liberated from the pressures of the daily world, where the two writers could reflect upon the geyser of circles that is life. Sunny acoustics and vintage keys over lazy brushes set the character throughout Circles. “The Answer” rolls out a strata of guitars that suddenly reminds the listener of an old Gordon Lightfoot album, only to have the notion reinforced by the wave of strings and gentle background shakers that follow. “Some Kind of Fool” steals into brief moments of Pet Sound drama, with its bass-and-percussion breaks, but more often rides a ’70s groove of vibes, Rhodes, and Bread-like guitar effects. Though comfortably stoic on their second album, the Autumn Defense maintain the charm of a perennial explorer, for whom Europe is still far away, and the California sun could still bring love back. – Lisa M. Smith

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