Compiletely Bats

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Compiletely Bats album cover
Album Information

Total Tracks: 15   Total Length: 44:29

eMusic Features

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Six Degrees of the War on Drugs’ Slave Ambient

By Marc Hogan, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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Hidden Treasure: Submarine Bells

By Douglas Wolk, eMusic Contributor

There's a moment when a piece of summer fruit is perfectly ripe, and as sweet and fragrant as it's ever going to be, with just the slightest note of what's going to become decay. There's an emotional state that's very much like that, joy that's more profound because it's connected to sadness. The Chills 'songwriter Martin Phillipps was once a great evoker of that sort of emotion, and his band's 1990 marvel Submarine Bells embodies… more »

They Say All Music Guide

A CD reissue of the Bats’ first three EPs, this disc gathers the entirety of 1984′s By Night, 1985′s And Here Is “Music for the Fireside,” and 1986′s Made up in Blue, minus one minor track, “Earwig,” from the debut. (This set was originally released on cassette by Flying Nun in 1987, just before the Bats’ first proper album, the excellent Daddy’s Highway.) What’s remarkable about hearing these early tracks after definitive Bats albums like that full-length debut or Fear of God is how fully realized Robert Scott’s vision of the group was from the very beginning. Comparing this collection to the Chills’ very similar but considerably spottier Kaleidoscope World, it’s obvious that Scott had a plan for his group from the beginning. That trademark mix of dark-hued guitar jangle (rather like these Kiwis’ Australian counterparts the Church without the pretension or the ’60s obsession), dry, offhand vocals, and melodies that tend to meander around rather than stick to traditional verse-chorus structures is in full bloom here. Although some of the tracks aren’t up to the Bats’ later standards — the lo-fi recording, especially on the tracks from By Night, doesn’t do the songs any favors — Compiletely Bats stands up well as a full-fledged Bats album. – Stewart Mason

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