Steal This Double Album

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Steal This Double Album album cover
Album Information

Total Tracks: 17   Total Length: 140:17

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The COUP!!!

Kamaria

I fell in love with The Coup in '94 when they dropped Genocide and Juice. If you don't have that one, please, please go get it. Considering it was on Wild Pitch, I'm quite surprised that eMusic doesn't have it. Nevertheless, the entire album is available for mp3 download at Amazon.com. They are the absolute truth!!!!!

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politics and social justice

chriswaldrop

the coup reminds me of public enemy but with a funky backing band instead of the hard beats of the bomb squad. boots riley has the militant political sensibility of chuck d, but boots' politics are infused with more social justice and class issues and he really zeros in on the social or politics reasons behind the problems he's rapping about. the revolution may not be televised, but the coup's going to make sure it's damn funky.

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Oakland, Beezatch

Grover

I saw Boots Riley rap a few songs with Galactic at a recent concert and was impressed. I found an album on eMusic, dowloaded, and love it. This is some funky, intellegent, Oakland syle flow. This album is worth it just for the song "Me and Jesus the Pimp", but look at disc two -- a full show for just 1 download. Check that one out first, then you'll be back for the whole album.

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yo...

pabs138

the coup is baaaaaaaaad-asssssed. a whole record for one download, if you don't get it the terrorists have already won, dig?

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They Say All Music Guide

Steal This Double Album is the Coup’s masterstroke, taking the advances of Genocide and Juice to the next level and coming up with one of the most underappreciated hip-hop albums of the ’90s. Down to a duo, the Coup officially becomes a vehicle for Boots Riley’s observations, which it mostly was already; still, there’s a greater focus simply because of the fact that it’s a product of one ambitious vision. Boots’ impassioned political rhetoric is still in full-force, but the main strengths of Steal This Double Album are its fleshed-out characters and witty, detailed, image-rich storytelling that would do Slick Rick proud. Its intellectual and emotional depth come from Boots finding the humanity not only in his ideology, but in a much-maligned class of people articulating their frustrations and analyzing the world they live in from both the inside and the outside. His flair for the dramatic reaches its apex on the seven-minute saga “Me and Jesus the Pimp in a ’79 Granada Last Night.” It’s a complex, cinematic story about a young man who loathes his father — an abusive pimp who eventually beats his mother to death — but can’t help internalizing some of the same behavior. Equally touching is “Underdogs,” a heartbreaking account of the everyday reality of poverty. Boots’ ironic wit is all over the rest of the record. The dark-humored “Breathing Apparatus” finds a gunshot victim with no health insurance pleading with his friend not to let doctors pull the plug. Elsewhere, the Coup’s “Repo Man,” from their Genocide and Juice and Steal This Album LPs returns (in the person of Del Tha Funkee Homosapien) on “The Repo Man Sings for You”; and Boots acts out a gleefully provocative fantasy (on record, anyway) with “Piss on Your Grave,” which concerns slave owner George Washington. The whole album is strikingly consistent, managing to be smart, funny, touching, and funky all at once; it’s nothing short of brilliant. [Like the Coup’s first two albums, Steal This Album went out of print rather quickly; it was later reissued as Steal This Double Album, Rovi – Steve Huey

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