Fiendish Shadows

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Fiendish Shadows album cover
Album Information

Total Tracks: 15   Total Length: 60:19

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I saw this tour

tdowning666

I saw this tour and met The Damned for the first time in SF. They were playing at the newly re-opened Winterland. They were fucking AMAZING! I only wish they had their version of The Doors LA Woman here. Much under-rated version of the band.

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dodgy bootleg

containerdriver

If you have stumbled across this the same way I did then unless you are a completist move along quickly. An average recording of what should be some great tunes. My advice is look up the original Black Album or any of the Stiff Records material when the band were fresh,creative and innovative and see just where punk started.

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They Say All Music Guide

Emerging in 1997 as part of Cleopatra’s reissue/release series of nearly everything Damned it could get its hands on, Fiendish Shadows documents a show or shows (recording dates aren’t provided) from its 1985/1986 tour in support of Phantasmagoria. At this point, the Scabies/Vanian/Jugg/Merrick lineup had a fair couple of years experience under its belt, first with Captain Sensible and then without; the relative stability of this arrangement likely helped the band put on a crackerjack show. Sound quality is quite good, though the mix is off; for instance, on the fantastic opening cut, a run through the first part of the epic “Curtain Call,” Vanian’s voice suddenly plunges in volume once the drumming kicks in and only recovers from that a few songs in. About half of Phantasmagoria shows up, with an explosive take on “Is It a Dream” and a bravura “Street of Dreams.” A couple of cuts from the not far gone Strawberries make the grade as well, including a great take on “Stranger on the Town” and a sprightly version of “Gun Fury.” Faves of yore that turn up unsurprisingly include “New Rose” and “Smash It Up,” while “Love Song” makes a brief, fun appearance and the disc as a whole concludes with the always hilarious kiss-off “Disco Man,” initially delivered in the ‘Val Doonican way, as Vanian puts it. Even more intriguing are the two covers that take a bow; one, the Electric Prunes’ “I Had Too Much to Dream Last Night,” had originally surfaced via the band’s Naz Nomad and the Nightmares incarnation. The other was never formally recorded: Iggy Pop’s “Lust for Life” given the energetic blast you’d expect any punk rockers worth their salt would. On a technical note, while a ticket from an American gig is part of the cover art, the recording itself seems to have taken place in London based on Vanian’s between-song comments. Go figure! – Ned Raggett

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