Calculating Infinity

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Calculating Infinity album cover
Album Information
EDITOR'S PICK

Total Tracks: 11   Total Length: 37:31

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This album changed my life.

bizzarospeak

I know that's a terribly cliched and pretentious title but Calulating Infinity hit me so hard when I first heard it I have never been the same. I never new music could be so raw, chaotic and emotional but also so technically proficient! The lyrics were like stalker poetry and the music underneith.. I never knew humans could do that. Such reckless abandon but so controlled. Dillinger has been my favorite band since this album came out in 1999 and I've seen them 25 times since 2002. This album and this band are an experience like no other. just saying.

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wow!

grimli

Normally not into this crap...but wow!

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A Bonafide Math Metal Classic

Alibi

This album is amazing. The fluid shifts and seamless blend of Metal, Hardcore, Industrial, and Jazz are far ahead of their time. This is by far the best DEP album.

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Apparently, Dillinger has solved the complex equation asked of their album title and the answer is strange and complex. Oddly enough, Relapse is marketing this as “math metal,” a term that almost fits. Having enjoyed Dillinger’s bombastic, grindy punk debut mini-album, Calculating Infinity seems ten times more explosive and brilliant, as it spews forth anger and venomous misery in a way that is comparable only to spontaneous combustion. Continuing to expand upon the ultra-aggressive, deliciously technical approach they adopt toward grind and hardcore, the band has fully embraced its amazing knack for rhythmic melody on tracks like “*#” and “Weekend Sex Change.” Fear not Dillinger fans, for there is enough uncontrolled hatred and violence on this release to satisfy five bands, let alone New Jersey’s native sons. This album is both screechingly abrasive, as evident on “Clip the Apex… Accept Institution,” and morbidly beautiful, with the Slint-ish acoustic passages of “The Running Board.” “Destro’s Secret” contains such an amazing progressive dance between guitar and bass that one could only compare it to the mighty Cynic. The drumming rates near the top of any extreme metal drumming, combining an offbeat jazz style with an aggressive Cryptopsy-like technical approach. The vocals are raw, disturbing, and creepy causing a strange chill to crawl up the spine. Who will appreciate Dillinger then? The eclectics and musicians who understand the complexity of the band and genius chaotically held within. – Jason Hundey

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