Chips From The Chocolate Fireball

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Chips From The Chocolate Fireball album cover
Album Information

Total Tracks: 16   Total Length: 62:58

eMusic Review 0

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Barry Walters

eMusic Contributor

03.28.11
Among the most consistent sets in the later half of XTC's discography
2003 | Label: CAROLINE ASTRALWERKS - CAT

Released pseudonymously by the Dukes of Stratosphear on April Fool’s Day 1985, 25 O’Clock — a six-track tribute to psychedelia’s heyday — is catchier, funnier and far more energetic than what XTC had been releasing under its own name for its last couple of albums. And although 1986′s Skylarking re-established the band as a major creative force, it was difficult to make and a hard act to follow. So the threesome and fellow Duke, Ian Gregory (guitarist Dave Gregory’s drummer brother), reunited for another paisley-fueled blowout, 1987′s Psonic Psunspot.

Chips from the Chocolate Fireball combines the two records in straightforward consecutive order, and the result ranks among the most consistent sets in the later half of XTC’s discography. From the non-sequitur lyrics to the extreme stereo separation of the era, these simulations of psychedelic pop — largely the British variety, but also the Byrds and the Beach Boys at their trippiest — are extraordinarily exacting: “25 O’Clock” starts with a thrillingly accurate recreation of the Electric Prunes’ pioneering psych-punk “I Had Too Much to Dream Last Night”; “Have You Seen Jackie?” revisits the mischievous titular tranny of Pink Floyd’s very first single “Arnold Layne,” and “The Mole from the Ministry” goes… read more »

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Just who are these guys anyway?

KET

The answer from those who know is, of course, XTC w/Ian Gregory getting their tie-dyed on. Those who enjoy Syd Barrett-era Pink Floyd, Beatles Magical Mystery Tour era, or Beach Boys Pet Sounds will probably find something similarly mind-expanding here as well.

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They Say All Music Guide

During the mid-’80s, XTC developed a deep fascination with ’60s psychedelia that manifested itself on their late-1986 masterpiece Skylarking. While Skylarking was filled with lush pop reminiscent of the Beatles and Beach Boys, it was generally a sober affair, since they decided to leave many of the lighter songs off the album for B-sides and future albums. During this time, they decided to develop their alter egos of the Dukes of Stratosphear, a way to let all of their infatuation with psychedelia flourish. Both the EP 25 O’Clock and the full-length Psonic Psunspot, collected on the single-disc Chips From the Chocolate Fireball, capture the sound of ’60s psychedelia remarkably well. All of the sonic details, from the fuzz guitars to the cavernous echoes and sound effects, are in place, as are the self-consciously trippy lyrics. But what makes the Dukes of Stratosphear far more than a comedy band are the songs, which happen to be some of the best pure pop tunes XTC ever wrote: “My Love Explodes” has a tense, spiraling guitar line and melody; “Little Lighthouse” and “You’re My Drug” are wonderful pastiches; “The Mole From the Ministry” is a devilish homage to “I Am the Walrus” and Bowie; and the group rarely wrote a song as infectious as the bright, jangling “Vanishing Girl.” Despite the clever craftsmanship, XTC has never sounded so carefree or effortless, been quite as immediately catchy or consistent — Chips From the Chocolate Fireball is too good to be overlooked as a side-project folly, because it truly is some of the best music XTC ever made. And, coincidentally, it’s some of the best psychedelic pop ever recorded as well. – Stephen Thomas Erlewine

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