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Looping State Of Mind

Rate It! Avg: 4.0 (190 ratings)
Looping State Of Mind album cover
01
Is This Power
8:39 $0.99
02
It´s Up There
9:19 $0.99
03
Burned Out
7:33 $0.99
04
Arpeggiated Love
10:52
05
Looping State Of Mind
10:31
06
Then It´s White
7:52 $0.99
07
Sweet Slow Baby
9:16 $0.99
Album Information
EDITOR'S PICK

Total Tracks: 7   Total Length: 64:02

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eMusic Review 0

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Michelangelo Matos

eMusic Contributor

09.12.11
The Field's funkiest album, while still remaining lush and widescreen
2011 | Label: Kompakt

Loops are like riffs — some have it, some don’t. The artists that create the best loops — Armand Van Helden in his late-’90s prime is the best example — find and/or chop up something kinetic. The Field’s Axel Willner is different because he’s going for something more meditative, even as his hard four-to-the-floor beat moves bodies. His music undulates and comes at the listener in waves, a distension that creates a sense of longing. They’re bite-sized and broad-canvas at the same time: you want to know how the loop ends, damn it. Especially if you’re already hooked on Willner’s way with squeezing a well-known piece of music, be it the Flamingos’ (and doo-wop’s) masterpiece, “I Only Have Eyes for You” or Lionel Richie’s “Hello” (from “From Here We Go Sublime” and “A Paw in My Face,” respectively, both from 2007′s From Here We Go Sublime), until it seems alien and all the more beguiling.

Title to the semi-contrary, Looping State of Mind is more composed than either Sublime or its undersung follow-up, Yesterday and Today. Here, Willner’s sound is both harder and sleeker. But even if gauziness is part of what you go to its predecessors for, Looping‘s… read more »

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user avatar

seriously shit-hot stuff

irq506

With baselines like this its reminiscent of PiL with a bit of Leftfield and Fehlmann and is deffinitely what could have happened if Scorn hadnt of started to make its own cutting edge. Weirdly enough I keep hearing U2 Larry Mullen's drumming October-esque in here.. mm.. must be the hash

user avatar

Perfect for a run

tkdcoach

Haven't taken to a record as a running soundtrack like this since LCD Soundsystem 45:33.

user avatar

great but . .

EMUSIC-00E2E520

I'm still a bigger fan of Yesterday and Today. Shame that record isn't on here.

user avatar

nice

peeez

can't get enough of this stuff.

Recommended Albums

They Say All Music Guide

The third Field album is front-loaded with two of Axel Willner’s most entrancing and brawniest productions yet. Opener “Is This Power” coasts on a deep dubwise bassline, softly smacking percussion, and a fogged-out keyboard melody, its blissful stasis interrupted by a trap-door breakdown that makes way for patterns of black diamond gleam. The speedy “It’s Up There” is carried by sluicing ambient wash, firm-cushion thumps, and a twangy/plucked bass. It’s Willner’s most transportive work since “Love vs. Distance,” the A-side of his debut 12” single. Those first two tracks, totaling 17 minutes, are compounds of shoegaze, ambient dub, and techno — antidotes for those who looked forward to the January 2011 return from Field progenitors Seefeel and were left cold by its bristly arrhythmia. This album’s remainder does not feature as much action, but much of it — including the gushing “Arpeggiated Love” and the fragile piano ballad “Then It’s White,” the latter of which comes across as a return love letter to Dirk Leyers’ Kompakt B-side “Come to Where I Go” — is as alluring and dreamlike as anything from Willner’s first two full-lengths. As on 2009’s Yesterday and Today, Willner is assisted by a handful of multi-instrumentalists who add both heft and nuance. Indeed, this set’s title is somewhat misleading; the contents are seemingly open-ended and breathe. They sound little like the product of solitary programming. – Andy Kellman

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