Something To Write Home About

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Something To Write Home About album cover
Album Information
EDITOR'S PICK

Total Tracks: 24   Total Length: 97:08

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Loudly Lovelorn

kevharb

Yes it's emo, but it's damn good emo. It's music for everyone who's ever had their heart broken, which means it's for everyone who's ever had a heart. Holiday and Action & Action are probably my two favorite tracks, but the entire album is worth a listen.

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Wish I Liked "Emo" More...

Evil2win

'Cuz I really wanna like these guys. But, alas, a good sound can still remind me of the glut of disaster-music that makes the rounds on so many "commercial alternative" (I know, right...?) radio stations. Siiiiiigh...

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Come Back?...

EMUSIC-01D6FA7F

This is the first I've heard of them but my friend is at their concert tonight(11/2009). Seems they are trying to comeback. We'll see.

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Good memories

rich-rich

I don't pull this one out very much anymore, but like the other reviews for this... this record meant SO much to me in High School. Although emo didn't have it's chart-conquering "heyday" (is that how you spell it?) till 2004... it peaked with this and Jimmy Eat World's "Clarity". Plus everyone was pulling out Weezer again. Yes, 1999 meant three things to me: Weezer, Get Up Kids, and Jimmy Eat World. I feel like so many other people are in the same boat.

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One of the best records of all time

valuepac

Get up kids are as much part of my college years as Jimmy Eat world clairity was. This one of my top ten fav records of all time

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eMusic Features

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eMusic Yearbook: 2006

By Jess Harvell, eMusic Contributor

Has any genre suffered more disrespect than emo? Long before it became mainstream rock's default option when it came to loud and fast - back when it was still linked to hardcore, small-run vinyl singles, and five-bands-for-$5 matinee shows - emo was dismissed as half-assed punk rock for crybabies and political lightweights. Sure, it's hard to deny that a lot of old-school, underground emo was plain bad, of course. The worst examples sounded liked hardcore… more »

They Say All Music Guide

Imagine if the kids that got made fun of on the back of the bus ended up being the coolest ones in the school. Not through any kind of terrorist revenge fantasy or post-apocalyptic last-people-alive-on-Earth scenario, but what if they were actually the most interesting, most sincere, most talented kids around? That is exactly the impression given by the Get up Kids on their 1999 album Something to Write Home About. That although they are struggling with stumbling relationships and the pervasive frustrations of being young men in their generation, they still are able to process the complexities of their daily lives through music. This is a heavy statement concerning a power pop band, but these guys are doing it right.
Rocketing out of the gates with a blast of punk bravado and true emo energy, guitarists Matthew Pryor and Jim Suptic sing as if the more forcefully they belt it out, the sooner their dilemmas will be solved. Incorporating Fender Rhoades electric piano and Moog synthesizers (played sparingly by James Dewees) adds an element that Weezer introduced to smart post-punk bands, allowing the sound to be cool and geeky at the same time. The cross-town traffic ballad “Ten Minutes” is a stuttering ode where the singer’s girlfriend lives, hoping for understanding but expecting an argument. The sincere combination of excitement and concern in Suptic’s voice gives the listener a genuine feeling for the situation. Shifts in tempo and punchy guitar riffs separate the Get up Kids from their emo contemporaries who often seem too comfortable with their guitar-bass-drums formula. The pleading acoustic “Out of Reach” showcases the bright harmonies and raw emotion of the band as it builds into a piano-driven, swaying lost love torch song, quite unusual for the genre. “I’m down for whatever,” Pryor sings on “Action & Action,” and it is that kind of apathetic optimism that makes Something to Write Home About worthy of the critical praise and dedicated fanbase it has earned. – Zac Johnson

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