Too High To Die

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Too High To Die album cover
Album Information

Total Tracks: 14   Total Length: 51:37

eMusic Features

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Who are…The Men

By Austin L. Ray, eMusic Contributor

On 2011's Leave Home, The Men unleashed a sprawling, overwhelming, brute-force basher of a rock 'n' roll record on a mostly-unsuspecting public, leaving a bunch of exhausted, gape-mouthed listeners in its wake In following up such a galvanic-if-difficult release, the Brooklyn foursome presents Open Your Heart, a more accessible and delightfully mixed bag that touches on hardcore, Buzzcockian power pop, classic country drinking songs, straight-ahead rock and propulsive, building jams the likes of which would… more »

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The Meat Puppets

By Andrew Perry, eMusic Contributor

Born at the height of hardcore punk, Meat Puppets exemplified the kind of group who, as they grew up, were not to be contained by punk's three-chord template. They followed their first furious record on SST with a series of brittle explorations of folky, country-tinged psychedelic-rock, flying in the face of hardcore's machismo. The band's story, however, is very hardcore. The trio, centered around Curt Kirkwood (vocals, guitar) and his brother, Cris (bass, vocals), gradually crept… more »

They Say All Music Guide

Although the Meat Puppets’ previous album, 1991′s Forbidden Places, was one of the Arizona trio’s finest, the band wasn’t completely happy with the album’s sound, courtesy of longtime Dwight Yoakam producer Pete Anderson. So on their second album for London Records, 1994′s Too High To Die, the trio hooked up with Butthole Surfer Paul Leary to put them back on track. Not only did they succeed, but they scored a big radio hit with the melodic rocker “Backwater,” and the release became their first to be certified gold. The electrified album opener “Violet Eyes” kicks things off, and immediately thereafter, the trio takes you on a wild musical rollercoaster ride. Hard rock (“We Don’t Exist,” “Station,” an unlisted remake of “Lake of Fire”), blues rock (“Roof With a Hole”), ballads (“Shine,” “Why?”), country (“Comin’ Down”), and demented pop/rock (“Never to Be Found,” “Severed Goddess Hand,” “Flaming Heart,” “Things”) help make up perhaps the band’s most musically varied album. – Greg Prato

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