World Without End

Rate It! Avg: 4.0 (84 ratings)
World Without End album cover
Album Information

Total Tracks: 15   Total Length: 61:44

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Good

yellowman

But not as good as their first cd. It's kind of a let down in a way.

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pretty good

EMUSIC-01E07067

Inside Out and Out of Hand tracks are pretty acceptable quality

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emusic's been good (to me)

1dermutt

just wanted to say that i reported a bum track a few weeks back and: 1) got a notification that they were looking into it; 2) got a notification that they had fixed it; 3) got a notification that i'd been credited a free download. (even though i could just re-download the original track without depleting my account balance.) i found that to be pretty decent service, personally.

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A must have

Pocket

I bought this record almost 20 years ago, and it still sounds as fresh today as it did then. It feels a little like an Echo and the Bunnymen record from the Crocodiles era, but with a new sheen. One of the best post-punk records ever made!!!

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They Say All Music Guide

A year after Echo & the Bunnymen released their final album of the ’80s, the Mighty Lemon Drops recorded World Without End, an LP that actually sounds closer to the Echo & the Bunnymen’s earlier stabs at late-’60s psychedelia. Recalling Echo & the Bunnymen albums such as Crocodiles and Heaven Up Here, World Without End is almost like a missing piece in the Bunnymen’s discography. Dave Newton’s ringing, swirling guitars reflect — or should that be echo? Will Sergeant’s distinct Bunnymen riffs, and Paul Marsh’s moody, hollow voice mirrors the woeful baritone of Ian McCulloch. However, the band deserves praise for transcending, and not merely imitating, the work of their influences. The opening track, “Inside Out,” is a minefield of sparkling pop hooks — finger-snapping percussion, toe-tapping guitars, and a chorus so catchy that one listen to the song can turn into an addiction. Many of the tracks are propelled by Keith Rowley’s forceful drumming; producer Tim Palmer wisely thrusts the percussion prominently into the mix, allowing every song, even the slower pieces, to have a sense of motion. Tony Linehan’s stimulating basslines drive “In Everything You Do” and “Fall Down (Like the Rain).” The lyrics are often unhappy, and while they lack Echo & the Bunnymen’s poetic narratives, there is real feeling in the vocals. World Without End is one of the finest British post-punk albums of the ’80s. Its parts may be borrowed, but it runs like a well-oiled machine. – Michael Sutton

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