Duets: The Final Chapter

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Duets: The Final Chapter album cover
Album Information
EXPLICIT
  • Artist: The Notorious B.I.G. (See All Albums by The Notorious B.I.G.)
  • Date Released: Dec 9, 2005

  • Genre: Hip-Hop/R&B, Style: Hip-Hop, Rap

  • Label: Bad Boy Records

Total Tracks: 22   Total Length: 73:31

eMusic Review 0

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Sean Fennessey

eMusic Contributor

Director of Merchandising, emusic.com

09.14.10
An unearthing that needn’t have happened
2005 | Label: Bad Boy Records

The case for letting sleeping dogs lie. This final posthumous release garbles Biggie Smalls's artistic intent by overloading on guest stars, many whom couldn't hold the rapper's sweat rag, and a schizophrenia of sound that damages credibility time and again. Many of Biggie's verses are recycled from previously released songs, and even the most credible of guests are rarely at their best. But, hey, there are still wondrous Biggie Smalls raps here and there is a bizarre curiosity in hearing Harlem's Diplomats rap alongside him on songs like "I'm With Whateva" or the virtuosic Virginia MCs Clipse take a shot at matching the intensity of a Biggie verse from "You're Nobody (Til Somebody Kills You)." Dre and Vidal's gorgeous "1970 Somethin'" is a particularly noble entry here — warm, evocative, a genuine chance at evolving Biggie's sound to modern times. Still, artists like Akon, Big Gee and Bobby Valentino, and producers like Jazze Pha and Scott Storch have no business here and simply shouldn't be messing with these originals. That slotted between these duets are crass testimonials from Christopher Wallace's adolescent children gives this outing a creepy, unforgivable aura.

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Icon: The Notorious B.I.G.

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It's not that he was the first storyteller. Or the first vulnerable MC. Or the first fabulist. Or gangsta. Or lyrically lyrical lyricist. Or loverman. Or even the first fat rapper. But Christopher Wallace, while hardly the first anything, was often the best of those, and so much more. As time passes, he is remembered for his music, but with qualifications about his violent death and questions of what could have been. It's true, at… more »

They Say All Music Guide

The weight of Notorious B.I.G.’s legacy is so profound that most major rap MCs and R&B singers alive — and some who are dead — are willing to be attached to it in whatever form possible. It could also be argued that anyone with the means is more than willing to profit from it in a monetary way. Here’s Duets: The Final Chapter, released just before Christmas Day 2005, following 1999′s Born Again, which was released just before Christmas Day 1999. Like Born Again, Duets takes bits of unused material from the late legend, and that can entail full-blown verses, looped declarations, or punctuative interjections. On some tracks, Biggie’s presence is no more prominent than a handclap or a snare hit. Check the lead track “It Has Been Said,” where he’s limited to “what,” “ungh,” “yeah,” “ha-ha,” “uh-huh.” If you can get past the fact that a lot of tracks barely feature the headliner, or listen without imagining the original contexts of the patched-together scraps, Duets can be sporadically riveting. The list of guests is overwhelming, with Jay-Z, Nas, Mary J. Blige, Faith Evans, R. Kelly, T.I., Slim Thug, Eminem, Lil Wayne, Missy Elliott, the Clipse, Snoop Dogg, and Freeway representing roughly half of the involved. Only a few tracks contain significant Biggie contributions, and it’s not as if they provide any further insight or add to his long-established legend. Many of his vocals are not pulled from professional studio-quality recordings, which only makes them sound more displaced. Perhaps Korn’s Jonathan Davis put it best when he told Billboard about the project: “It’s f*ckin’ weird to be doing a song with someone who is deceased!” His description applies to what it’s like to listen to the disc. – Andy Kellman

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