eMusic Review 0
The case for letting sleeping dogs lie. This final posthumous release garbles Biggie Smalls's artistic intent by overloading on guest stars, many whom couldn't hold the rapper's sweat rag, and a schizophrenia of sound that damages credibility time and again. Many of Biggie's verses are recycled from previously released songs, and even the most credible of guests are rarely at their best. But, hey, there are still wondrous Biggie Smalls raps here and there is a bizarre curiosity in hearing Harlem's Diplomats rap alongside him on songs like "I'm With Whateva" or the virtuosic Virginia MCs Clipse take a shot at matching the intensity of a Biggie verse from "You're Nobody (Til Somebody Kills You)." Dre and Vidal's gorgeous "1970 Somethin'" is a particularly noble entry here — warm, evocative, a genuine chance at evolving Biggie's sound to modern times. Still, artists like Akon, Big Gee and Bobby Valentino, and producers like Jazze Pha and Scott Storch have no business here and simply shouldn't be messing with these originals. That slotted between these duets are crass testimonials from Christopher Wallace's adolescent children gives this outing a creepy, unforgivable aura.